You better get to shirtless sword practice because these elephants only respect hot people! This week Kim and Alice are covering Indian epic, Jodhaa Akbar. It’s a historical romance with all the jewellery and political intrigue you can handle, along with Kim’s favourite kind of montage… a montage of LOVE.
Sound Engineer: Keith Nagle
Editor: Helen Hamilton / Keith Nagle
Producer: Helen Hamilton
If you enjoy this podcast, come with us on a romp through the Regency era with our sister podcast, Austen After Dark. Listen to all episodes now.
Hosted on Acast. See acast.com/privacy for more information.
[00:00:00] Hello and welcome to Fetch the Smelling Salt, I'm Alice
[00:00:13] And I'm Kim and this is our podcast all about historical dramas from movies and TV shows
[00:00:19] to miniseries from every era and all around the world
[00:00:23] Hooray! And this is a part 2 in a series
[00:00:27] Yes, and we're calling this series Kim's Indian Obsession
[00:00:32] Kim's Indian Obsession Series Part 2 of 3
[00:00:37] This is a chronological series that started with our episode on Padma Vat which was in the 1300s
[00:00:44] It was like bang around like the year 1300
[00:00:47] Did I remember that right?
[00:00:48] Alright
[00:00:48] And then now we're in the 1550s
[00:00:54] Yeah, they're about
[00:00:55] 1550s, 1560s and then our last one is gonna be
[00:00:59] Kind of like 1857, 1856 around that time
[00:01:04] Are we gonna keep that a secret?
[00:01:07] No we're not! It's Mangal Pandey
[00:01:10] So there we go
[00:01:11] So we're talking about Jota Akbar today
[00:01:15] This is a 2008 film
[00:01:17] It's wonderful
[00:01:19] It's also long AF
[00:01:22] Oh my god, it's so long
[00:01:23] It's worth it
[00:01:25] But this is a 3 and a half hour film
[00:01:28] So you notice I haven't asked how you are
[00:01:31] I don't care, we don't have time for that
[00:01:32] No, we do have time, no, we're gonna get into it
[00:01:34] We have to get into this summary
[00:01:37] So I'm gonna start it
[00:01:38] Alright, go
[00:01:39] Oh my god
[00:01:42] So I have a cup of tea
[00:01:45] Which I am drinking
[00:01:46] Well, Alice can see this
[00:01:48] Alright, I'm drinking off all of this beautiful
[00:01:51] Isn't it lovely?
[00:01:53] This beautiful cup
[00:01:54] This beautiful mug that I have
[00:01:55] So it comes as a pair
[00:01:57] So it was given to me by my wonderful friends
[00:02:01] Anup and Pornamaiswar
[00:02:03] And it's basically the decoration on the mug
[00:02:07] It's of these Mughal miniature paintings
[00:02:10] And I love it, I love them so much
[00:02:12] So this is like my graduation present
[00:02:14] When I graduated from my PhD
[00:02:17] Because in line with my Indian obsession
[00:02:21] My PhD was on women travellers in India
[00:02:24] So there we go
[00:02:26] So that's kind of like my theme drink for this evening
[00:02:29] Wow, so you've got a theme mug
[00:02:31] I'm gonna theme mug
[00:02:32] The drink inside isn't very thematic
[00:02:35] It's just herbal tea
[00:02:36] But there we go
[00:02:38] So Joda Akbar, this is it
[00:02:40] I have one little caveat to this summary
[00:02:42] Which is because this movie is so long
[00:02:45] I ended up focusing on certain things
[00:02:47] And cutting out other things
[00:02:49] So there's a lot of political intrigue
[00:02:51] Involving dudes wanting power
[00:02:56] And I gloss over a lot of that
[00:02:58] Which I think is fine
[00:03:00] Doesn't affect the important bits of the plot at all
[00:03:04] I found
[00:03:05] So this is the story of Dalaluddin Muhammad Akbar
[00:03:09] And how the Mughals united Hindustan
[00:03:13] Once upon a 16th century
[00:03:15] There was a princess called Joda
[00:03:17] Daughter of King Barmal
[00:03:20] Who was born in the kingdom of Amir
[00:03:22] In the region of Rajputana
[00:03:25] She had a cousin called Sujumal
[00:03:28] Who loved her like a sister
[00:03:30] And Joda was betrothed to the local prince
[00:03:33] Ratan Singh of Ajabar
[00:03:36] And life was nice
[00:03:38] In the year 1555
[00:03:41] The Mughal dynasty is in trouble
[00:03:43] After the accidental death of Emperor Humayun
[00:03:48] Do you know how he dies?
[00:03:50] I was going to say food poisoning
[00:03:53] So right
[00:03:55] He hears Hayab in his castle in his palace
[00:03:58] On his turret
[00:03:59] He hears the azan, the call for prayer
[00:04:02] He goes down, he's trying to go down the stairs
[00:04:04] He trips and he falls
[00:04:05] He basically dies falling downstairs
[00:04:08] That's how he dies
[00:04:10] Falling down the stairs of his turret tower?
[00:04:12] Yeah
[00:04:13] Ooh, that's embarrassing
[00:04:15] I know, right?
[00:04:16] No wonder they didn't put it in the movie
[00:04:18] I know, they were like accidental death
[00:04:19] But yeah, that's how he dies
[00:04:21] Sorry, please carry on
[00:04:23] That's a better death than food poisoning though
[00:04:25] That is true
[00:04:26] 13-year-old Jalaluddin and his mentor, Bayram Khan
[00:04:30] Have to fight a usurper for the throne
[00:04:32] But Jalaluddin, he's 13
[00:04:34] So he's on the sidelines
[00:04:36] Well, elephants actually do a lot of the fighting
[00:04:39] But we know that those elephants
[00:04:42] were treated with extreme love and care
[00:04:45] because there is a note at the beginning of the film
[00:04:48] telling us so
[00:04:50] Yes
[00:04:50] And I really wish that more films had that, don't you?
[00:04:53] I know, I really loved it
[00:04:55] So when I started, I don't know
[00:04:56] When I was rewatching it, right?
[00:04:58] And then I took a photo of my screen
[00:05:02] And I sent it to Alice and I was like, look at that
[00:05:06] That's nice
[00:05:07] The best we get in some of our Hollywood movies
[00:05:10] is like, no animals were actively harmed
[00:05:13] in the making of this film
[00:05:14] But yeah, you know
[00:05:16] You don't know about their emotional well-being
[00:05:18] Yeah, so it actually says
[00:05:20] All the animals and birds in this film
[00:05:22] have been treated with extreme love, care and concern
[00:05:25] in the presence of veterinarian doctors
[00:05:28] and animal welfare bought in officials
[00:05:31] That's brilliant
[00:05:32] And that made me feel really good about all the horses
[00:05:34] and elephants and parrots and bunnies
[00:05:37] in the film
[00:05:38] Anyway, back to the battle
[00:05:41] When the usurper is captured and he's near death
[00:05:44] Jalaluddin is supposed to behead him
[00:05:47] but he won't
[00:05:48] so his mentor has to do it
[00:05:51] Over the next six years, Jalaluddin and his mentor
[00:05:53] tried to consolidate the Hindustan Empire
[00:05:56] by sending emissaries around
[00:05:59] to ask the kingdoms
[00:06:00] pretty much saying
[00:06:02] Join the Mughals right now please
[00:06:04] Please
[00:06:05] And anyone who says no
[00:06:07] gets attacked in slow motion
[00:06:09] by a now hot Jalaluddin
[00:06:12] who we're gonna call Jalal now
[00:06:15] And he's played by Hretik Roshan, the god
[00:06:19] beautiful man
[00:06:20] The most handsomest being
[00:06:23] Yes, he's just gorgeous
[00:06:26] He's gorgeous
[00:06:27] He has two thumbs on his right or left hand
[00:06:30] but he's so beautiful
[00:06:31] you don't even notice
[00:06:33] We're gonna have to come back to that
[00:06:34] Jalal makes it clear
[00:06:36] that from now on
[00:06:37] prisoners of war will no longer be enslaved or killed
[00:06:40] because beheading is tired
[00:06:43] He is a man emperor now
[00:06:45] and he's going to rule with compassion and mercy
[00:06:48] Great
[00:06:49] Now it's time to go to Rajputana
[00:06:51] where Jota is also grown up
[00:06:54] and she's been learning to sword fight
[00:06:56] with her brother cousin, Sujumal
[00:06:58] I'm just gonna call him brother Sujumal
[00:07:00] Yeah, cause that's how she refers to him anyway so
[00:07:02] Yeah, Sujumal really wants his uncle
[00:07:05] to make him the crown prince of Amir
[00:07:08] but he gets passed over
[00:07:10] and Sujumal is so angry about it
[00:07:13] that he rides off and spends the rest of the movie
[00:07:16] trying to find someone who will make him
[00:07:18] the prince of Amir
[00:07:20] He starts by going to Jalal's brother-in-law
[00:07:23] Sharifuddin
[00:07:25] who is married to Jalal's sister Buna
[00:07:28] But Sharifuddin is bad
[00:07:30] which you can tell by his eyebrows
[00:07:33] and although he's governor of some places
[00:07:36] he wants to invade Delhi
[00:07:38] and be the emperor of every place
[00:07:40] A rude
[00:07:41] I'm also gonna not call him Sharifuddin anymore
[00:07:45] He's just gonna be bad brother-in-law
[00:07:47] Easy
[00:07:47] Cause bad people get dumb nicknames
[00:07:50] Meanwhile, the king Baramal of Amir, Jota's dad
[00:07:54] wants to avoid war with the Mughals
[00:07:56] so he's going to ally with them
[00:07:59] The other Rajput kings hate this idea
[00:08:02] so they are cutting him off
[00:08:04] and that means Jota's engagement is off
[00:08:07] No more prince for time for you
[00:08:09] which is fine cause
[00:08:11] he looks more like prince
[00:08:13] ratty
[00:08:14] sick burn
[00:08:16] When King Baramal goes to see Emperor Jalal
[00:08:19] he finds him in the elephant arena
[00:08:22] taming an elephant
[00:08:23] As one does
[00:08:25] Now would this be a good time for me to present my
[00:08:29] elephant taming tips by Jalal or should I say that?
[00:08:32] Ooh
[00:08:34] Alright, come on, let's go on, let's do it
[00:08:36] Okay, so we're watching Jalal
[00:08:39] in a really long sweaty hot scene
[00:08:42] tame an elephant
[00:08:44] in an arena
[00:08:46] and I think these would probably apply to
[00:08:50] trying to woo a lady
[00:08:51] Okay
[00:08:53] as well
[00:08:53] So everybody listen up
[00:08:55] Okay, number one
[00:08:56] try to jump on her back
[00:09:00] Two
[00:09:01] don't get hit by the trunk
[00:09:03] Three, don't get stomped
[00:09:06] Four, this is important
[00:09:07] hide in a nook
[00:09:09] then at an opportune time
[00:09:11] flip over a wall
[00:09:12] I know
[00:09:14] Yeah
[00:09:15] shout words at her in a commanding tone
[00:09:17] to hypnotize her with your authority
[00:09:20] Not sure what number we're on
[00:09:22] use a tiny spiked shield and don't drop it
[00:09:27] And finally
[00:09:28] Parkour
[00:09:29] Parkour
[00:09:30] Once you're on there
[00:09:32] she's chill immediately
[00:09:34] I mean, also look hot
[00:09:35] This goes without saying
[00:09:37] elephants don't respect not hot people
[00:09:39] No, no, totally, no
[00:09:41] Yeah
[00:09:42] That's why the elephant tried to kill the other guy
[00:09:44] because he wasn't as hot, you see
[00:09:46] She was like
[00:09:47] Uh, stomp on you
[00:09:48] Yeah
[00:09:49] I was like
[00:09:50] So after all this elephant training
[00:09:52] King Barma tells Jalal
[00:09:53] that he wants to join the empire
[00:09:56] on the condition that Jalal marry his daughter Joda
[00:10:00] But how could that be possible
[00:10:01] when Mughals are Muslim
[00:10:03] and Rajputs are Hindu?
[00:10:05] On the other hand
[00:10:07] the marriage turns out to be politically strategic
[00:10:10] for reasons that I don't remember
[00:10:15] Furthermore
[00:10:17] Jalal sees this as a divine sign
[00:10:19] that marriage is the way to unite Hindustan
[00:10:23] But everyone is mad about it
[00:10:26] and Joda is distraught
[00:10:28] Joda's mom even gives her a vial of poison
[00:10:32] so she can drink it
[00:10:33] rather than lose her honor
[00:10:35] which is not chill
[00:10:37] No
[00:10:38] I mean, this is after the mom suggested
[00:10:40] that she kind of tricks Jalal, right?
[00:10:43] She's like
[00:10:44] Oh, maybe you can send a maid in your place
[00:10:46] and she's like
[00:10:46] Yeah, nah
[00:10:48] Pretty sure he'd figured that out
[00:10:50] And her mom's like
[00:10:51] Well, here's poison then
[00:10:53] There you go
[00:10:54] Okay darling, love you, bye
[00:10:56] And bye-bye
[00:10:57] Joda writes a letter to her brother Sujamaal
[00:11:00] asking him to save her
[00:11:01] but she decides she's not gonna send it
[00:11:04] she just packs it next to her poison
[00:11:06] So everyone in the palace
[00:11:08] this huge entourage
[00:11:09] they pack up
[00:11:10] and they head off
[00:11:12] to meet Jalal and his whole entourage
[00:11:15] at this marriage campsite
[00:11:18] Yeah
[00:11:19] They just don't go to his place
[00:11:22] they meet somewhere in the middle
[00:11:23] they set up a whole bunch of tents
[00:11:25] and it's a marriage camp
[00:11:28] Woo
[00:11:28] But suddenly
[00:11:30] Joda says she wants to meet Jalal
[00:11:32] before consenting to the marriage
[00:11:34] because she has some conditions
[00:11:37] Condition one
[00:11:38] she gets to keep her faith and her traditions
[00:11:41] Condition two
[00:11:42] she gets to bring her statue of Lord Krishna
[00:11:46] and have a little temple built for him in her chamber
[00:11:50] This is pretty outrageous
[00:11:52] but Jalal likes her moxie
[00:11:54] and he proclaims to everyone at the marriage camp
[00:11:58] that he agrees to these conditions
[00:12:01] Yeah, I mean it's a big deal
[00:12:02] because in Islam you can't have idols
[00:12:06] Right?
[00:12:06] So this is like for her to
[00:12:08] not only physically bring the statue of Krishna
[00:12:11] but to kind of like half the little temple
[00:12:15] have a temple within the walls
[00:12:17] Yeah
[00:12:17] Yeah, so it's a big deal
[00:12:19] Yeah
[00:12:19] So we get our first musical number
[00:12:21] which is a beautiful number done
[00:12:23] by a group of Sufi mystics
[00:12:25] as a gift for Jalal
[00:12:27] and I really like it
[00:12:28] It's very nice
[00:12:29] We get some whirling dervishes
[00:12:31] which I'm a big fan of
[00:12:32] Yeah
[00:12:32] Then they get married
[00:12:34] They have a Hindu ceremony first
[00:12:36] and then a Muslim one
[00:12:38] In the wedding tent that night
[00:12:40] Joda doesn't want Jalal to touch her
[00:12:42] She says she consented to marrying him
[00:12:45] but her heart won't let her be close to him
[00:12:49] and he's cool about it
[00:12:51] I have a question
[00:12:53] about sleeping and jewelry
[00:12:57] because it seems like
[00:12:59] people just be falling asleep elegantly
[00:13:04] in whatever they're wearing
[00:13:05] with no sheets or anything
[00:13:07] I understand it's hot
[00:13:08] Personally, I need a sheet on top of me
[00:13:10] no matter how hot it is
[00:13:12] but that's not my issue
[00:13:14] She does not alter her dress in any way
[00:13:18] She is wearing everything
[00:13:20] from head to toe
[00:13:20] her veil
[00:13:22] all of her jewelry around her face and neck
[00:13:25] which you would think would be very heavy
[00:13:27] It is
[00:13:28] Actually, it was
[00:13:30] I was looking it up
[00:13:31] and it weighed at least 3 kg
[00:13:33] like her wedding jewelry alone
[00:13:35] and they kind of try to make it
[00:13:37] as accurate as possible
[00:13:38] So that's pretty much what
[00:13:40] the real princess would have been wearing
[00:13:42] I know, I was thinking the same thing
[00:13:44] I was like
[00:13:45] What? What is she doing?
[00:13:47] How did she fall asleep all of that?
[00:13:48] I could even sleep with my ear studs on
[00:13:52] You know what I mean?
[00:13:53] And she's like
[00:13:54] I know she's propped up a little bit
[00:13:57] but still that had to be weighing on her chest
[00:14:01] and she does this throughout the film as well
[00:14:04] I'm just like, just take off something
[00:14:06] I know
[00:14:07] Splash some water on your face
[00:14:10] I mean, a jewelry is one thing
[00:14:11] the outfit itself
[00:14:12] I mean it's beautiful
[00:14:13] but I can't imagine it's comfortable to sleep in
[00:14:16] Where are the jammies?
[00:14:18] Exactly
[00:14:19] You know the word pajamas came from India
[00:14:21] Oh
[00:14:22] Yeah
[00:14:22] So I was like
[00:14:23] where are your pajamas at?
[00:14:25] Yeah
[00:14:26] You can't
[00:14:27] I mean
[00:14:28] I don't want to go too deep into it
[00:14:30] This is a dusty place
[00:14:31] she's just been at this campsite
[00:14:34] which is very dusty
[00:14:36] She's had multiple outfit changes
[00:14:39] throughout the day
[00:14:40] and yet just whatever she happened to be last in
[00:14:44] she's just gonna
[00:14:46] tilt her head back
[00:14:47] like she's on an airplane
[00:14:48] and just fall asleep
[00:14:49] I know and then she wakes up
[00:14:51] just as beautiful
[00:14:52] because obviously she's ashwarya rai
[00:14:54] and she's a goddess
[00:14:55] but still
[00:14:55] She doesn't have like the necklace
[00:14:57] and mash into her face
[00:14:59] In the morning
[00:15:00] Jalal leaves to check out emperor stuff
[00:15:02] and Jodha gets taken to the big Mughal fortress
[00:15:05] Agra
[00:15:06] where there's a women's palace
[00:15:09] and she gets her own five bedroom apartment
[00:15:12] within the palace
[00:15:13] including her little temple to Krishna
[00:15:16] She meets her new entourage
[00:15:18] her pet parrots
[00:15:20] and her eunuch
[00:15:21] Yeah
[00:15:21] as everybody gets one
[00:15:22] Of course
[00:15:23] A little sassy one too
[00:15:24] I love it
[00:15:26] She also meets Jalal's mother
[00:15:28] who spent most of his life away
[00:15:30] and Mahamanga
[00:15:32] the woman who raised him
[00:15:34] and who now is his closest advisor
[00:15:37] And then a lot of political stuff happens at this point
[00:15:40] which can be summed up as
[00:15:42] dudes being hungry for power
[00:15:43] and causing headaches for Jalal
[00:15:46] What's important is
[00:15:48] Jalal has a shady brother-in-law
[00:15:50] and a shady adoptive brother
[00:15:53] Adam
[00:15:54] son of Mahamanga
[00:15:55] his elder mother
[00:15:56] so I'm gonna call her elder mother
[00:15:58] Both these guys have been running around
[00:16:01] trying to make themselves in charge of things
[00:16:04] and Adam has also done war crimes
[00:16:07] Yes
[00:16:08] On the bright side
[00:16:09] Jalal has been getting to know Joda
[00:16:11] by hanging out with her in her wee temple
[00:16:13] and watching her while she plays with Bunnies
[00:16:16] And she sees him doing
[00:16:18] shirtless sword practice all alone
[00:16:21] apart from his eight friends
[00:16:24] His abs
[00:16:25] Oh my god
[00:16:26] At that point
[00:16:26] the notes that I made was
[00:16:28] I want to be the sweat trickling down his back
[00:16:32] My notes just say
[00:16:34] back sweat
[00:16:37] All right
[00:16:38] So it's a festival day
[00:16:40] The Day of the Pier
[00:16:41] which I tried to look up
[00:16:42] I couldn't really find anything
[00:16:43] so I don't know
[00:16:44] It's a day of some guy
[00:16:46] Up here
[00:16:47] The Day of the Up Here
[00:16:49] So to show his love
[00:16:51] Jalal has ordered a Rajput feast
[00:16:53] to celebrate his bride
[00:16:55] and sent her some really heavy looking jewelry
[00:16:59] Is it sleeping jewelry?
[00:17:01] Of course it is
[00:17:02] because all jewelry is sleeping jewelry
[00:17:05] If you're rich apparently
[00:17:07] in medieval India
[00:17:09] Joda decides
[00:17:10] her gift in return
[00:17:12] will be cooking the feast herself
[00:17:14] with her entourage
[00:17:16] which is very funny to me
[00:17:17] because as if she knows how to cook
[00:17:19] Yeah exactly
[00:17:21] She's like
[00:17:21] Oh I'm not like the other princesses
[00:17:23] Sure
[00:17:24] I grew up in a big palace
[00:17:25] and I had a bunch of cooks and servants
[00:17:26] but uh
[00:17:28] no I know how to cook
[00:17:29] Yeah
[00:17:30] I'm just a regular old wife
[00:17:32] Exactly
[00:17:33] But elder mother comes
[00:17:35] to piss in her corn flakes
[00:17:37] telling her to stop acting like a real wife
[00:17:40] because this marriage is strictly political
[00:17:42] and not even consummated
[00:17:47] That's really embarrassing that she knows that
[00:17:49] Joda cooks the food anyway
[00:17:51] and when elder mother tries to embarrass her
[00:17:54] by making her taste all the dishes
[00:17:56] as a poison check
[00:17:57] Jalal really sweetly insists on eating his food
[00:18:01] from all the same dishes that she tasted
[00:18:03] Yeah that was really sweet
[00:18:06] And that pretty much kicks off
[00:18:08] a montage of love
[00:18:10] Montage
[00:18:12] Getting to know you
[00:18:13] montage
[00:18:15] But amidst all this love
[00:18:17] sinister stuff is afoot
[00:18:19] Joda's servant finds Joda's poison
[00:18:22] and letter to her brother
[00:18:24] and shows them to elder mother
[00:18:27] though elder mother sends the brother the letter
[00:18:30] and even though his pal tells him it's a trap
[00:18:33] he decides he has to go
[00:18:35] Elder mother then shows Jalal
[00:18:37] Joda's vile of poison
[00:18:39] and tells him that she must be an assassin
[00:18:42] and she's still in love with Prince Ratan
[00:18:46] and that's why she refuses to touch Jalal's butt
[00:18:50] Oh his beautiful back
[00:18:52] Mmm
[00:18:54] Oh Lord then here comes Joda's brother Sujamal
[00:18:58] ready to whisk her away in the night
[00:19:00] and Joda tells him there's no need
[00:19:01] she's happy
[00:19:02] she never sent him a letter
[00:19:04] and while they're chatting
[00:19:05] Jalal spots them from a tower
[00:19:08] and brother Sujamal is arrested
[00:19:11] and like a dope
[00:19:12] Sujamal thinks that Joda sent the letter
[00:19:15] as a trap to betray him
[00:19:17] and Jalal thinks
[00:19:19] she was meeting with her secret lover Prince Ratan
[00:19:23] and he won't let her explain
[00:19:24] so she sent back to her family in a myrrh as a traitor
[00:19:29] It's like what the hell
[00:19:30] just speak to the woman man
[00:19:32] So unfair
[00:19:33] while she's gone Jalal's real mom steps up
[00:19:36] and she drops some truth bombs
[00:19:39] first that guy was Joda's freaking brother
[00:19:43] awkward
[00:19:44] and two elder mother orchestrated all this
[00:19:48] to ruin Jalal's marriage
[00:19:49] and she knows this because Joda's made
[00:19:52] grassed on elder mother
[00:19:54] Do you have this term in England?
[00:19:56] What grass?
[00:19:57] Yeah
[00:19:57] Yeah
[00:19:58] Yeah yeah
[00:19:58] Well I love it
[00:19:59] Well I don't know
[00:20:00] I mean to be honest
[00:20:02] you're talking to a non-English person
[00:20:03] so I know the term
[00:20:05] I'm not sure if English people know the term
[00:20:06] but yeah
[00:20:08] I learned it here in Scotland
[00:20:09] at you know basically means to be a tattletale
[00:20:12] but she's a good grass
[00:20:14] Yeah she's a good grass
[00:20:15] She's not a bad grass
[00:20:16] She's not like a narc
[00:20:18] but she grasses on elder mother in a good way
[00:20:21] she she lets everybody know the truth
[00:20:23] Yeah
[00:20:25] So Jalal takes a big entourage to him
[00:20:28] her to get Joda back
[00:20:29] and he finds her in a fun little like
[00:20:32] find the bride under the veil game
[00:20:35] so that means he gets to stay in her bed chamber
[00:20:38] for winning the game
[00:20:40] but that does not matter
[00:20:41] because Joda is not having it
[00:20:43] and she pulls a curtain between them
[00:20:45] and says that she's not going back with him
[00:20:48] the next morning
[00:20:50] he finds her practicing sword fighting
[00:20:53] and he says if she can beat him
[00:20:56] she can stay with her family
[00:20:58] after an extremely charming sword fight
[00:21:01] cute
[00:21:01] Jalal wins
[00:21:03] but Joda still says she won't go back
[00:21:05] he says he won't make her
[00:21:07] instead he's going to win her heart
[00:21:10] and Jalal takes to heart
[00:21:11] an insightful critique from Joda
[00:21:13] which is
[00:21:14] there is a difference between conquering and ruling
[00:21:18] so
[00:21:19] he stalks around the Bazaar and Agra
[00:21:21] trying to figure out what people want
[00:21:24] and he learns that locals don't like Mughal rule
[00:21:27] because they're foreigners
[00:21:29] and they're filling their coffers
[00:21:31] with this super unfair pilgrim tax
[00:21:34] Jalal goes back to his court
[00:21:36] and proclaims
[00:21:37] this is my country
[00:21:39] and I will not allow it to be plundered
[00:21:41] and he's coming into his own
[00:21:43] and he's starting by abolishing the pilgrim tax
[00:21:47] and everyone is so stoked about him
[00:21:49] doing this one thing
[00:21:51] that they have a massive party
[00:21:54] and do a big song and dance number
[00:21:56] to tell Jalal what a cool emperor he is
[00:22:00] and Joda shows up on an elephant
[00:22:03] and he gets the title Aukbar
[00:22:05] and he gets presents
[00:22:06] he gets his literal weight in presents
[00:22:10] I know
[00:22:10] there's a scale
[00:22:12] he's sitting on one side
[00:22:14] they put presents on the other side
[00:22:16] I want to do that for my next birthday party man
[00:22:19] absolutely
[00:22:19] just sit me on that scale
[00:22:21] load up the other side with gold
[00:22:24] and swords
[00:22:25] and in addition to that
[00:22:27] he gets a horse
[00:22:28] a new horse
[00:22:29] and Jalal takes his horse
[00:22:30] for a ride around through the crowd
[00:22:33] but what's this?
[00:22:35] an assassin lurking nearby
[00:22:38] not hiding very well at all
[00:22:39] I know it's like oh hey
[00:22:41] like Kira Mai looking very dodgy
[00:22:45] here's my bow and arrow
[00:22:46] oh I'm covering my face
[00:22:48] and tippy towing
[00:22:50] like a scoundrel
[00:22:51] he's basically the hamburger over here
[00:22:54] and the assassin does manage to shoot Jalal
[00:22:57] in the shoulder slash heart region
[00:23:00] but does not kill him
[00:23:02] and then he gets caught
[00:23:03] almost immediately
[00:23:05] and takes a suicide pill
[00:23:07] not good at his job
[00:23:10] so Jalal is alive
[00:23:13] and he's brought to his bed
[00:23:14] to have his wound treated
[00:23:16] but the arrow was laced with poison
[00:23:19] they're not sure how that's gonna go
[00:23:21] and Jalal prays to Krishna at her temple
[00:23:24] until Jalal wakes up
[00:23:26] and it looks like he'll live
[00:23:28] then she helps nurse him
[00:23:30] until he's feeling loads better
[00:23:32] yay
[00:23:33] Jalal takes Jalal to a place in the palace
[00:23:35] where the sunset is particularly dazzling
[00:23:38] and he asks do you love me
[00:23:40] and she says yes I do
[00:23:43] and you and he says
[00:23:45] I love you deeply
[00:23:49] and finally at two hours and 58 minutes
[00:23:53] into this movie
[00:23:55] they kiss for the first time
[00:23:58] and then I think
[00:24:00] they consummate their marriage
[00:24:02] very tastefully
[00:24:04] it's implied
[00:24:06] so who sent the assassin you ask
[00:24:09] it was bad brother-in-law
[00:24:12] and brother Sujumal is working for him now
[00:24:16] and Jalal knows that bad brother-in-law
[00:24:19] sent the assassin
[00:24:20] and bad brother-in-law knows he knows
[00:24:23] so they're all going to have a big battle about it
[00:24:27] on the battlefield
[00:24:29] which I think there's only one in this region
[00:24:32] they all go there for all of their fights
[00:24:35] and I think it's the same one from Padmavat
[00:24:37] it might also be
[00:24:39] where they had the marriage camp
[00:24:40] but I can't confirm that
[00:24:41] there you go
[00:24:42] yeah
[00:24:43] just one flat piece of land
[00:24:44] everyone goes there for everything
[00:24:46] here's the flattest part
[00:24:48] it's sandy but it's not too dusty
[00:24:51] you can run on it easily
[00:24:53] there's a nice mountain view
[00:24:57] when both sides show up
[00:24:59] they set up camp
[00:25:00] and brother Sujumal figures out that
[00:25:02] brother-in-law is going to kill him too eventually
[00:25:06] so he runs away to join Jamal's side
[00:25:10] and warn him about another assassin
[00:25:13] that's coming
[00:25:14] but as he's riding off
[00:25:16] oh brother he gets shot with a bunch of arrows
[00:25:19] and he lives just long enough
[00:25:21] to warn everyone about the assassin
[00:25:23] and see Joda arrive
[00:25:26] and learn that she never betrayed him
[00:25:28] then he dies
[00:25:30] Jalal and bad brother-in-law decide to have a fight
[00:25:33] just between the two of them
[00:25:35] over control of the country
[00:25:37] and it's wild that that's how that works
[00:25:39] are you ready for another medieval Indian hot ass fight
[00:25:43] and by hot and very warm
[00:25:46] because they're in the desert
[00:25:48] and they're wearing a lot of armor
[00:25:50] again
[00:25:50] well I hope you're ready
[00:25:51] because it is long
[00:25:53] this is a long battle
[00:25:54] but Jalal wins
[00:25:56] and then he forgives bad brother-in-law
[00:26:00] he issues him a fine
[00:26:02] and then he commands him to be loyal from now on
[00:26:06] I'm sure that worked out for him
[00:26:07] yeah I know right
[00:26:08] you couldn't at least like put him on house arrest
[00:26:11] well I have notes about that
[00:26:13] we'll go we'll get back to that
[00:26:14] okay yeah
[00:26:15] back home at court
[00:26:16] Jalal announces his respect for all religions
[00:26:19] and he brings Joda up
[00:26:21] to tell everyone how much he loves her
[00:26:24] the end
[00:26:26] amazing
[00:26:27] I think you did an amazing job
[00:26:29] it was a hella long movie
[00:26:31] and it was a great summary
[00:26:34] thank you
[00:26:37] now we need we need the sound of just like elephants stomping
[00:26:41] yeah
[00:26:41] stomping on people's heads
[00:26:43] boom splat
[00:26:44] boom splat
[00:26:46] so I love elephants right
[00:26:47] especially Indian elephants
[00:26:49] so you notice a difference right
[00:26:50] Indian and African elephants
[00:26:51] African elephants that are one of the big bigger
[00:26:53] ears
[00:26:54] I was gonna say the only difference I know is about ear size
[00:26:57] and that Indian elephants have
[00:26:58] have more dainty demure ears
[00:27:00] yeah I mean they're also like
[00:27:01] the ear size
[00:27:02] the size of the elephant
[00:27:03] and the shape of the head
[00:27:04] as well
[00:27:06] so you know these are clearly like Indian elephants
[00:27:08] they're super cool
[00:27:09] all right
[00:27:10] now I've got some notes
[00:27:11] notes notes notes
[00:27:12] so this movie
[00:27:13] won some cool awards
[00:27:14] won the audience award for best foreign language film at the
[00:27:18] Sao Paulo International Film Festival
[00:27:21] two awards at the Golden Min Bar International Film Festival
[00:27:25] two awards for best choreography
[00:27:27] at the National Film Awards
[00:27:30] one for best costume design
[00:27:32] as well
[00:27:33] I mean which you know
[00:27:34] deserve the costumes were amazing
[00:27:36] I'm gonna go into that a little bit
[00:27:38] oh god yeah
[00:27:39] yeah um just lots and then 10 international Indian film academy awards
[00:27:44] seven star screen awards
[00:27:45] lots lots lots
[00:27:46] yeah lots of awards
[00:27:47] and also you know how at the start right
[00:27:50] you know when it opens right
[00:27:52] that weird scene
[00:27:52] that weird fighting scene
[00:27:54] there's a bit of like a narration going on
[00:27:58] where the narrator condenses
[00:28:00] like the history of the Mughal empire up to that point
[00:28:04] right from what I remember it was like
[00:28:06] a lot of people tried to conquer Hindustan
[00:28:10] and they were bad
[00:28:10] but then the Mughals came
[00:28:12] and they were good
[00:28:13] yeah kind of
[00:28:15] yeah so it's kind of like
[00:28:16] depending on which side of history we'll
[00:28:18] kind of go into a little bit of that
[00:28:20] what was interesting
[00:28:20] was the person who was doing the narration
[00:28:23] is none other than Amitabh Bachchan
[00:28:26] so anybody who knows Indian cinema
[00:28:28] you would know that he is a stalwart
[00:28:31] of Indian cinema
[00:28:32] is Amitabh Bachchan
[00:28:34] who also happens to be
[00:28:36] the father-in-law of Ashwarya Rai
[00:28:39] no way
[00:28:40] yeah yeah he's like
[00:28:41] he's a big dude
[00:28:42] like a big shot dude
[00:28:43] okay
[00:28:44] so he did the narration
[00:28:46] so his it's very interesting actually
[00:28:49] the way in which he talks about the Mughal empire
[00:28:53] they actually kind of misrepresented
[00:28:55] so he says
[00:28:56] and the Mughals had come to Indian 1450
[00:29:00] but in actual fact
[00:29:02] the Mughal empire started in 1526 with Baba
[00:29:06] so he was the first Mughal conqueror
[00:29:08] of India
[00:29:09] that's like one generation
[00:29:10] like close 75 years
[00:29:13] so the whole film right
[00:29:14] I think you're not supposed to take it as a historical fact
[00:29:18] you know and that was like what they were trying to address
[00:29:23] right at the start
[00:29:24] there's also like a little post script
[00:29:27] that I didn't mention
[00:29:28] in which the narrator comes back
[00:29:30] and says that
[00:29:31] the love story of these two people
[00:29:33] was kind of erased from history
[00:29:35] but they made history
[00:29:37] because they had this interfaith love
[00:29:39] yes
[00:29:40] kind of that's
[00:29:40] that's what was implied by it
[00:29:42] but what was also implied there
[00:29:45] is that we really don't know anything
[00:29:47] about their marriage
[00:29:49] yeah so we know
[00:29:51] some things
[00:29:52] so right at the start
[00:29:53] there's a few scenes
[00:29:55] like we've just you know
[00:29:56] words right
[00:29:57] where they kind of talk about
[00:29:58] Joda's name
[00:29:59] which I'll go into it
[00:30:00] well in a bit
[00:30:01] and then it says
[00:30:01] this is just one version of the historical events
[00:30:04] there could be other versions
[00:30:05] and viewpoints to it
[00:30:07] it's more like covering all bases
[00:30:09] if you think about it as a movie
[00:30:11] you know a love story
[00:30:12] a beautiful
[00:30:13] beautiful
[00:30:14] cinematic experience
[00:30:17] and this idea of a love story
[00:30:19] with elements of history
[00:30:22] you know I think it's something that's very enjoyable
[00:30:24] but if you're kind of gonna
[00:30:25] examine it for historical fact
[00:30:27] there's going to be a lot of
[00:30:28] things you're not going to be happy with
[00:30:30] so like I said
[00:30:30] right at the start already
[00:30:32] right there's the
[00:30:33] getting the dates wrong by 75 years
[00:30:35] so the Mughals
[00:30:36] were you know ruling India from 1526
[00:30:40] to 1857
[00:30:41] they started off with
[00:30:42] with Baba
[00:30:44] so yeah they were you know
[00:30:45] foreign conquerors
[00:30:46] Muslim conquerors
[00:30:48] what we would call
[00:30:49] so Baba came from what is today
[00:30:51] Uzbekistan
[00:30:52] and so after Baba
[00:30:54] there was Humayun
[00:30:56] so he was there with his son
[00:30:57] and then after Humayun
[00:31:00] then we have Jalal
[00:31:01] so Humayun falls down some stairs
[00:31:03] who were Humayun falls down from stairs
[00:31:05] and then yeah
[00:31:06] we're gonna enjoy it
[00:31:06] let me get our 13 year old Jalal
[00:31:08] exactly
[00:31:09] then becomes
[00:31:10] hot 19 year old Jalal
[00:31:12] yes
[00:31:13] so the Mughals are very interesting
[00:31:14] actually
[00:31:15] so Baba actually comes from
[00:31:18] on his mother's side
[00:31:20] he has ancestry from Jengis Khan
[00:31:23] and from his father's side
[00:31:24] he's you know
[00:31:25] he's basically the great
[00:31:27] great grandson of Timur the Great
[00:31:29] so like big like conquerors there
[00:31:33] like old lineage there
[00:31:34] yeah exactly
[00:31:36] you know
[00:31:36] so you got Timur the Great
[00:31:37] you got Jengis Khan
[00:31:39] Baba came from the Fogana Valley
[00:31:41] oh by the way I just want to say
[00:31:42] if you're listeners
[00:31:44] if you want to find out more
[00:31:45] about the Mughal Empire
[00:31:48] highly recommend listening
[00:31:50] to the episode of
[00:31:53] Your Dead To Me
[00:31:55] which I love
[00:31:56] I absolutely love
[00:31:58] there is a specific episode
[00:31:59] on the Mughal Empire itself
[00:32:01] so go listen to that
[00:32:02] you know it's a lot more in it
[00:32:04] but us in summary
[00:32:05] so we have Baba then Humayun
[00:32:07] and after Humayun
[00:32:08] we have Riyalal
[00:32:10] who by the way
[00:32:11] was already called Akbar
[00:32:13] from birth
[00:32:15] so that whole bit
[00:32:16] where he was given the term Akbar
[00:32:19] that's not true
[00:32:20] okay so I thought
[00:32:21] and the movie made it seem like
[00:32:22] it was a title
[00:32:24] that everyone got together
[00:32:25] and decided to bestow on him
[00:32:26] because he had earned it
[00:32:28] but I also know that it's
[00:32:29] a fairly popular name
[00:32:32] now
[00:32:33] it means the great by the way
[00:32:34] so the British in the
[00:32:36] so you'll see a lot of references
[00:32:38] to Akbar the great
[00:32:40] which really pisses me off
[00:32:42] it's basically like
[00:32:43] people saying pin number
[00:32:45] right because pin also means
[00:32:46] you know personal identification number
[00:32:48] so Akbar the great becomes
[00:32:50] the great the great
[00:32:51] so Akbar already means the great
[00:32:53] yeah
[00:32:53] so his
[00:32:54] his name was already
[00:32:56] you know
[00:32:57] Akbar was already part of his name
[00:32:59] just saying
[00:33:01] but so there was a really
[00:33:02] interesting
[00:33:03] you know addition there
[00:33:04] but that said
[00:33:07] historians do praise him
[00:33:10] as being a very very
[00:33:11] very significant Mughal emperor
[00:33:14] for a few reasons
[00:33:15] one
[00:33:16] you have
[00:33:17] Barbara coming in
[00:33:18] Humayun after him right
[00:33:19] and then Akbar
[00:33:21] really was the first Mughal empire
[00:33:22] to actually be born in Hindustan
[00:33:24] so he was you know
[00:33:25] so that bit was correct
[00:33:28] and so in the movie
[00:33:29] you know he talks about
[00:33:30] I'm actually born here
[00:33:32] this is my country
[00:33:33] I'm not just a conqueror
[00:33:35] right and I'm also
[00:33:37] I have been born in Rajputana
[00:33:39] basically it's just general area
[00:33:40] where the Rajputs
[00:33:42] all the various Rajput plans
[00:33:44] are from
[00:33:44] so that so that is that is true
[00:33:47] so there's whole thing where
[00:33:49] when Humayun you know
[00:33:50] all these wars
[00:33:50] I'm not going to go into it
[00:33:52] when Humayun his wife was on the run
[00:33:54] he was taking refuge
[00:33:55] in Rajputana
[00:33:57] that was where Jalal
[00:33:58] who was born
[00:33:59] and he was great
[00:34:01] in the sense of
[00:34:03] okay so his court
[00:34:04] was famous for being
[00:34:06] very like liberal
[00:34:07] in terms of like you know
[00:34:08] unifying different faiths
[00:34:10] it attracted a lot holy men
[00:34:11] of many faiths
[00:34:12] poets architects
[00:34:14] you know
[00:34:14] was like a place of learning
[00:34:16] and he
[00:34:18] you know what I read
[00:34:19] was that
[00:34:20] he kind of
[00:34:22] brought about
[00:34:22] a
[00:34:23] syncretic creed
[00:34:25] like it was a conversion
[00:34:26] of Islam
[00:34:27] that kind of like
[00:34:29] you know had elements
[00:34:30] of Islam
[00:34:30] Hinduism's
[00:34:31] or Resturantism
[00:34:32] and Christianity
[00:34:34] so this whole thing about him
[00:34:36] abolishing the tax
[00:34:37] that was true
[00:34:39] that that was true
[00:34:40] and there was a big deal
[00:34:40] because this whole thing about
[00:34:42] the Mughal Empire
[00:34:43] what was interesting about them
[00:34:44] was that
[00:34:44] you know they were actually
[00:34:46] a Muslim minority
[00:34:48] ruling
[00:34:49] is what is what was
[00:34:50] essentially a Hindu majority
[00:34:53] at the height
[00:34:54] of the Mughal Empire
[00:34:56] around like you know
[00:34:57] 1600s or so right
[00:34:59] it essentially had
[00:35:02] pretty much the whole of South Asia
[00:35:04] so beyond India right
[00:35:05] we're talking
[00:35:06] what is now modern day Afghanistan
[00:35:08] Pakistan
[00:35:09] parts of Nepal as well
[00:35:11] so it was this massive
[00:35:13] massive empire
[00:35:15] wow
[00:35:15] yeah
[00:35:16] and what I listened to in the podcast
[00:35:18] I said around 1600s
[00:35:19] it had about 100 to 145 million people
[00:35:24] that's like massive
[00:35:26] it does not seem like from this film
[00:35:28] that they could manage that
[00:35:29] they seem like bureaucratically
[00:35:32] pretty inept
[00:35:33] yeah
[00:35:33] yeah it's crazy right
[00:35:34] because you know again
[00:35:35] a lot of you know
[00:35:36] India wasn't unified
[00:35:37] I mean India as we know
[00:35:38] it had did not exist
[00:35:39] right
[00:35:40] it was a series of you know
[00:35:41] different kingdoms
[00:35:43] different clans
[00:35:44] or everyone's fighting all the time
[00:35:45] you know
[00:35:46] again actual historians of India
[00:35:48] can comment about this
[00:35:49] I'm not gonna go into it
[00:35:51] it's a lot
[00:35:51] yeah
[00:35:52] but yeah so this whole
[00:35:54] Jalau
[00:35:55] being known as Akbar
[00:35:56] again like I mentioned
[00:35:57] he was you know
[00:35:58] that was already part of his name
[00:35:59] he was I think Abdul Fath Jalul
[00:36:02] Jaluddin Muhammad Akbar
[00:36:04] that was his full name
[00:36:06] he was then succeeded by his son
[00:36:10] so his son was Prince Salim
[00:36:13] and this is the son that he had
[00:36:14] with his wife
[00:36:15] whom we know is Jodha
[00:36:17] which I will come back to it
[00:36:19] and Prince Salim later on
[00:36:22] gave himself a new name
[00:36:24] called Jahangir
[00:36:25] which is what historians would know him as
[00:36:26] it's kind of
[00:36:27] it basically means like
[00:36:29] Caesar
[00:36:30] as in C
[00:36:31] as in not Caesar
[00:36:32] as in C A E S A R
[00:36:34] like to seize something instead
[00:36:37] you know Caesar
[00:36:38] like the Caesar
[00:36:39] like the Caesar of your stuff
[00:36:40] yeah the Caesar of the world
[00:36:42] so that's that's kind of what he named himself
[00:36:44] so Jahangir
[00:36:45] and after Jahangir
[00:36:47] there was Shah Jahan
[00:36:49] whom
[00:36:50] is
[00:36:51] we know people would know
[00:36:52] as the person who built the Taj Mahal
[00:36:57] yeah so Akbar is the grandfather
[00:37:00] of Shah Jahan
[00:37:02] who built Taj Mahal
[00:37:03] so when you talk about
[00:37:04] we know when they're talking about Agra
[00:37:06] at that time
[00:37:07] there was no Taj Mahal then
[00:37:08] at that you know
[00:37:09] in the movie
[00:37:10] so
[00:37:11] so that's kind of where
[00:37:12] where we are at
[00:37:13] in this whole Mughal empire thing
[00:37:17] so now I want to have a quick word
[00:37:19] about Jodha
[00:37:20] so right at the start already
[00:37:22] right the movie says a few things
[00:37:23] and I'm going to read this out
[00:37:24] historians agree
[00:37:26] that the 16th century marriage of alliance
[00:37:28] between the Mughal emperor Akbar
[00:37:29] and the daughter of king Bahmal
[00:37:31] of Amir in Jaipur
[00:37:33] was a recorded chapter in history
[00:37:36] there is speculations till today
[00:37:38] that her name was not Jodha
[00:37:41] some historians say her name was
[00:37:43] Harqa Bai others call her
[00:37:45] Hira Kunwar
[00:37:46] and yet others say
[00:37:47] Jiharani
[00:37:49] Mahan Mati
[00:37:50] and Shahibai
[00:37:51] but over centuries her name reached the common man
[00:37:54] as Jodha Akbar
[00:37:55] so this whole thing about her name was interesting
[00:37:58] because
[00:38:00] so I told you Akbar had a son right
[00:38:01] Jahangir
[00:38:02] right with whom she had with Jodha
[00:38:05] Jahangir was married to someone called Jodha
[00:38:08] so there was this whole thing where
[00:38:09] did they get the names wrong
[00:38:11] you know
[00:38:11] the name that's commonly used to represent Jodha
[00:38:16] was actually Mariam Uzamani
[00:38:20] Mariam as in Mary
[00:38:23] and now apparently the name Jodha Bai
[00:38:28] was first used in James Todd's
[00:38:32] annals and antiquities of Rajasthan
[00:38:34] so if you kind of go back to our episode on
[00:38:36] Padmavad
[00:38:37] right
[00:38:38] you realize that this name
[00:38:40] this James Todd
[00:38:41] and you know this annals and antiquities of Rajasthan
[00:38:44] that was written by him has come up then
[00:38:47] so he apparently started calling her Jodha Bai
[00:38:51] and this name appears to be given an error
[00:38:54] and my notes there saying
[00:38:55] white man messing things up again
[00:38:58] white man can't keep women's names straight
[00:39:00] I know
[00:39:01] so her birth name is apparently unknown
[00:39:04] so there are many
[00:39:05] names that she's been referred to
[00:39:07] some I've you know I've said already
[00:39:09] including Harkan Champavati
[00:39:12] Her Kunwari Shahbhai Shahi Begum
[00:39:16] she was bestowed an honorific Muslim name
[00:39:19] called Wali Nimad Begum
[00:39:21] which means blessings of God by Akbar
[00:39:24] I mean so he gave her this name
[00:39:25] two years into their marriage
[00:39:27] and then she was given that title of Mariam Uzamani
[00:39:31] kind of meaning like Mary Compassion of the Age
[00:39:34] by Akbar on the occasion of the birth of their son
[00:39:38] Jahangir with Prince Aleem
[00:39:40] really I didn't get a new name
[00:39:42] I know
[00:39:42] they had a baby
[00:39:43] you should have given two new names
[00:39:46] yeah yeah
[00:39:46] one fancier than the next
[00:39:48] exactly
[00:39:50] so
[00:39:51] gotta tell Keith that
[00:39:52] Princess
[00:39:53] pretty Stina
[00:39:55] beautiful awesome pants
[00:39:57] yes
[00:39:58] and in the movie
[00:40:00] you kind of hear him referring to her
[00:40:03] as other titles
[00:40:05] called Malika e Muzama
[00:40:07] and the Exalted Empress
[00:40:09] on Malika e in Hindustan
[00:40:11] which is the Empress of Hindustan
[00:40:12] so she kind of he kind of refers to her as that
[00:40:14] and there was this whole thing where
[00:40:16] because she was named Mariam
[00:40:18] right there were some people who were basically saying
[00:40:20] oh is she Christian
[00:40:22] you know because of Mary
[00:40:24] and all of that
[00:40:25] but they forget that actually
[00:40:27] Mary as a Mary mother of Jesus
[00:40:30] also appears in the Quran
[00:40:33] yeah
[00:40:33] and she is highly respected
[00:40:36] as a woman like you know in the Quran
[00:40:38] so you know so giving someone like the name Mariam
[00:40:41] it's a sign of respect too
[00:40:44] so there's Joda
[00:40:45] the other thing was that
[00:40:46] you know the movie presents this whole love story
[00:40:49] as kind of like a monogamous thing
[00:40:51] right but in reality
[00:40:54] no don't
[00:40:55] yeah sorry to buzz your bubble
[00:40:57] oh
[00:40:59] this is
[00:41:00] this is also what happened in Padmafai
[00:41:02] I know
[00:41:03] so Akbar had many wives
[00:41:06] his first wife was actually his cousin
[00:41:09] Rukhaya Sultan Begum
[00:41:11] she was his first wife
[00:41:12] and one of the chief consorts
[00:41:14] so so Joda wasn't even his first wife
[00:41:16] no no he was he was actually married
[00:41:19] so he was betrothed to his first wife
[00:41:21] and he was like nine
[00:41:22] and then married at 14
[00:41:23] but they remain childless
[00:41:25] and from stuff that I've read
[00:41:27] like she had a pretty exalted position as well
[00:41:30] because she already
[00:41:32] she was she was of Mughal stock
[00:41:34] you know
[00:41:35] so the whole thing about Joda was that
[00:41:37] she's Rajput
[00:41:38] you know she's coming in
[00:41:39] yeah
[00:41:39] I mean she's a princess and all
[00:41:41] right Akbar was Jalal's first wife
[00:41:44] you know was Mughal like him
[00:41:46] and I think I read that he had at least
[00:41:49] four wives and a hell a lot of concubines
[00:41:52] some say several thousand concubines
[00:41:54] I'm not sure how true that is
[00:41:56] come on
[00:41:57] I know right
[00:41:59] but like
[00:41:59] I'm gonna stick with the movie's version of history
[00:42:01] exactly
[00:42:03] but it did say that Joda
[00:42:05] I'm just gonna call her Joda right
[00:42:07] she was supposedly his favorite
[00:42:12] there's little miniatures of him with her
[00:42:14] you can see that
[00:42:15] and she was beautiful
[00:42:17] she was very smart
[00:42:20] and he consulted with her on a lot of things
[00:42:22] and she was instrumental
[00:42:26] in this whole like ethos of bringing together
[00:42:28] Hindus and Muslims as well
[00:42:31] again there's not much written about her per se
[00:42:35] coming to Shari foodin
[00:42:36] which is the bad brother-in-law
[00:42:38] remember I said I'll come back to that
[00:42:40] so apparently
[00:42:42] he didn't get let off that easily
[00:42:46] what I've read was that the sentence
[00:42:48] placed on him was that
[00:42:49] he was to be placed under the foot of an elephant
[00:42:53] and then the elephant would just
[00:42:54] not crushed
[00:42:55] not crushed
[00:42:55] no just placed on the foot
[00:42:57] and then the elephant would decide what to do
[00:42:59] so the elephant could have said
[00:43:01] I'm in a crushy mood today
[00:43:03] I'm gonna stomp this guy
[00:43:05] but I guess not
[00:43:06] so you know he did kind of like
[00:43:08] wanna scare the living daylights out of him
[00:43:12] yeah
[00:43:12] and this whole thing about Jalal and elephants
[00:43:16] really apparently was true
[00:43:18] he's called chronicler Abdul Fazal
[00:43:20] actually apparently devoted an entire chapter
[00:43:24] to Jalal's like you know
[00:43:25] obsession with like
[00:43:27] what it's called
[00:43:28] Pekkyderm based extreme sports
[00:43:30] and apparently there was even a record of the emperor
[00:43:33] leaping aboard a raging elephant in 1561
[00:43:37] so Jalal be jumping on elephants
[00:43:40] is there some kind of image of him like
[00:43:42] flipping over the back of an elephant
[00:43:44] because I would love to see that
[00:43:45] also I would like to cross-reference
[00:43:48] that chapter you're talking about
[00:43:50] and my list
[00:43:52] of tricks for how to train an elephant
[00:43:55] slash woo a woman
[00:43:56] yep
[00:43:57] so that's so there you go
[00:43:59] I was like okay I guess this is what you do on your board
[00:44:01] huh
[00:44:03] so weird
[00:44:04] I just kind of want to talk a little
[00:44:06] little bit about the setting
[00:44:09] and stuff
[00:44:10] that's my last thing
[00:44:11] there wasn't much material
[00:44:13] that's the problem right
[00:44:14] when they're trying to like
[00:44:15] do something of that time
[00:44:17] so the kind of like designers
[00:44:19] and everybody involved
[00:44:20] had to kind of rely on paintings
[00:44:23] and text
[00:44:24] and the actual forts in Rajasthan
[00:44:28] were inspiration for their set design
[00:44:30] and what I read was that a set designer
[00:44:33] produced an actual duplicate of the Agra fort
[00:44:36] and the set was 1600 feet long
[00:44:40] 600 feet wide
[00:44:41] 68 feet tall
[00:44:42] and the total cost of the set
[00:44:45] was expected to be over 120 million
[00:44:48] the fort was as high as a seven-story building
[00:44:50] and comprised of concrete fiber
[00:44:52] and best of sheets
[00:44:53] scaffolding and pipes
[00:44:54] crazy huh
[00:44:55] that's crazy
[00:44:57] they built a whole
[00:44:58] they built a whole styrofoam fort
[00:45:00] yeah
[00:45:01] I mean
[00:45:02] when I was watching that
[00:45:03] as soon as I started watching
[00:45:04] I was like messaging my friends in Mysore
[00:45:07] and I was like
[00:45:08] oh I need to go back to India so bad
[00:45:12] and the next trip has to be Rajasthan
[00:45:14] so I
[00:45:16] oh I have to go to Rajasthan
[00:45:18] yeah there are a lot of things I would like to see in Rajasthan
[00:45:21] probably top of that list is the battlefield
[00:45:24] yes
[00:45:25] yes
[00:45:27] and then you and I can have hand-to-hand combat
[00:45:31] yep
[00:45:32] and we have to wear all like a heavy costume and stuff
[00:45:35] yeah
[00:45:35] of course
[00:45:36] I want mine to have so many apps
[00:45:38] yeah
[00:45:38] like 64 apps
[00:45:39] all the apps
[00:45:41] so the costume designer
[00:45:42] Neeta Lula
[00:45:44] she apparently spent a year and a half
[00:45:46] researching the garment's people war
[00:45:48] in the google empire
[00:45:49] she traveled to Jaipur
[00:45:50] to learn about the fabrics of the period
[00:45:53] and you can kind of see it's so cool right
[00:45:55] if you look at how you know the division
[00:45:57] between kind of like the colors that were used for the Rajputs
[00:46:01] so it was like yellows and orange and reds
[00:46:04] you know
[00:46:05] and then the Mughals was like
[00:46:06] golds and browns and beiges
[00:46:08] and so you kind of you know that's how it was kind of divided
[00:46:11] it's subtle but you can see
[00:46:13] in just between the women who are kind of wearing
[00:46:16] very kind of similar silhouettes and that kind of thing
[00:46:19] and the veils and the long skirts and everything
[00:46:22] but you can see a division the stylistic differences
[00:46:27] it's subtle but it's
[00:46:29] it really comes through
[00:46:30] and it's absolutely gorgeous
[00:46:32] there are so many costume details that I really appreciated
[00:46:35] even not knowing the history of the dress of that period
[00:46:39] although I do have a comment about hats
[00:46:43] can we talk a little bit about hats please
[00:46:45] okay so I liked so much of the headwear
[00:46:50] I loved the veils
[00:46:51] I love the detail of how they held the veils away from their faces
[00:46:56] when they spoke and when they stood as kind of like cutting
[00:47:01] this really elegant beautiful profile
[00:47:06] also just seemed convenient because again
[00:47:08] they seemed heavy and would just kind of like hang in your face
[00:47:12] but of all of the headwear that I've seen
[00:47:15] in period dramas from all around the world
[00:47:18] I think the Rajput and Mughal crowns that the men wear
[00:47:26] are probably my least favorite
[00:47:29] I think they're like the ugliest hats I've ever seen
[00:47:34] I'm sorry but I hated them so much
[00:47:36] they look like some kind of
[00:47:39] like demented hollalof made out of satin
[00:47:43] that's kind of like a cross between like a bun and a beetle
[00:47:48] oh yeah
[00:47:48] it's all like segmented
[00:47:51] but it goes way too far back their head
[00:47:53] it makes their head look all weird and alien
[00:47:55] so it's kind of like star trekky in a grotesque way
[00:48:00] and I just hated their hats so much
[00:48:02] and I don't know why it really affected me
[00:48:04] well you know the bit where he like Jalal
[00:48:06] like takes his head off and he puts it like
[00:48:08] take gear off and or crown or whatever
[00:48:10] he's wearing and then he puts it on this
[00:48:13] tray that are made conveniently places next to him
[00:48:16] I was like there we go
[00:48:18] yeah I'm sure you love doing that
[00:48:20] yeah and they do try to add some nice bling to it
[00:48:24] to make them look nicer
[00:48:25] but you just can't dress that kind of thing up
[00:48:28] I don't know who came up with that design
[00:48:30] but I hope it went out of fashion quickly
[00:48:32] but it was a really interesting contrast to
[00:48:35] some of my favorite hats of all time
[00:48:38] I mean I always love a Sufi hat those long
[00:48:41] yeah that was a long tall like kind of cylindrical hats
[00:48:44] those are gorgeous but also
[00:48:47] Jalal has this team of like shakes
[00:48:50] this team of of religious and
[00:48:53] oh yeah I didn't like their hats
[00:48:54] men I love their hats
[00:48:56] see you'd have different hat tastes my god
[00:48:59] their hats look like little perfect mushroom caps
[00:49:06] they're so round
[00:49:08] so they look like little adorable baby mushrooms
[00:49:14] mixed with old-learning grumpy men
[00:49:18] and that is beautiful to me
[00:49:20] yeah yeah cool cool cool yeah
[00:49:22] this is just a lot there's a real stratification of
[00:49:26] like emotions around hats for me in this film
[00:49:30] I mean you know we we devote our time to hat
[00:49:32] I never thought that I would
[00:49:34] feel this range of feelings about hats outside of a Korean period
[00:49:39] oh yeah they have good hats
[00:49:41] yeah yeah
[00:49:42] so just a few notes about jewelry
[00:49:45] so you could see there was also like
[00:49:47] also like a difference between Mughal jewelry and Rajput jewelry
[00:49:51] so I'm praying the designers were talking about how like
[00:49:54] the main difference is that the Mughal jewelry was finer in craftsmanship
[00:49:58] and the Rajput jewelry was more rustic
[00:50:01] and apparently there was a note that Akbar's favorite gem was the emerald
[00:50:08] so in the Akbar Nama
[00:50:09] so that was basically the autobiography of Akbar
[00:50:12] they were actually prints the blueprints of emerald mines
[00:50:16] he had his own emerald mines
[00:50:18] and whenever you see him he wears emeralds
[00:50:21] and so you know there's a lot of references to the kind of jewelry
[00:50:24] the Mughals were wearing
[00:50:26] but not so much what Joda would be wearing
[00:50:29] and what the Rajputs would be wearing as well
[00:50:32] but what they did know was that in the 16th century Rajput women
[00:50:36] used to wear 12 pieces of jewelry
[00:50:39] you mentioned 12 pieces of jewelry
[00:50:41] I was like counting I was like how many pieces of jewelry do I wear
[00:50:44] how many pieces of jewelry do you wear just like going out
[00:50:47] I don't know oh gosh
[00:50:48] I know like right now I am just wearing a wedding band
[00:50:51] and that's my standard these days
[00:50:54] so okay I had just come back right from like a drink stinky right
[00:50:58] okay so I didn't wear all my earrings
[00:51:00] so I have like seven ear holes
[00:51:02] so I only wore six of them
[00:51:04] so that's six
[00:51:05] I even I had a necklace that's seven
[00:51:09] I had a really small bangle that's eight
[00:51:11] and I had two rings nine ten
[00:51:15] but all of that weighed nothing
[00:51:18] nothing
[00:51:20] so apparently 200 craftsmen
[00:51:23] worked for 600 days
[00:51:26] and molded 400 kilograms of gold
[00:51:30] and precious semi and semi stones to recreate the jewelry
[00:51:33] for this film
[00:51:34] so they didn't just go into like the
[00:51:37] Bollywood historical stockpile
[00:51:39] no they made the jewelry for the film
[00:51:42] that's commitment
[00:51:43] I know right
[00:51:44] and then there was nothing that I could find
[00:51:46] which talked about how much everything cost or whatever
[00:51:50] but it was nuts
[00:51:51] there was an article I was reading
[00:51:53] called Ash and Hrithik Bo 300 kilograms of gold in Yodakba
[00:51:58] so isn't that bananas
[00:52:01] yeah and all the craftsmanship like that went into it
[00:52:05] I don't even know what they were gonna
[00:52:06] what are you gonna do with the jewelry after that
[00:52:09] you know auction it maybe
[00:52:11] yeah possibly right
[00:52:13] sleeping it just
[00:52:14] why not
[00:52:15] yeah
[00:52:16] so this is
[00:52:16] to do a publicity stunt where they
[00:52:18] try to take a nap in all that jewelry
[00:52:20] yeah so probably they made 13 ensembles
[00:52:24] for Ashway Aray who was playing Joda
[00:52:26] and eight for Hrithik Roshan
[00:52:28] and they used like you know
[00:52:30] gold and gems like emeralds pearls
[00:52:32] rubies jades like that's a lot
[00:52:34] that's a hell a lot
[00:52:36] and there's a little thing that I read that
[00:52:38] apparently the women used to wear these like
[00:52:42] these rings that had like a mirror on them
[00:52:45] so they could see themselves in it
[00:52:46] I was like ha
[00:52:48] that's useful
[00:52:49] that's kind of handy
[00:52:50] I know
[00:52:50] so it was like a large thumb ring
[00:52:53] so that we could see the mirror
[00:52:55] and then so they basically had to find a
[00:52:57] special craftsman
[00:52:59] who could set the mirror in the mold
[00:53:02] so like all the work that they did
[00:53:04] to find the people who could do the craftsmanship for
[00:53:08] just the jewelry alone
[00:53:09] I don't even remember a thumb mirror ring
[00:53:12] yeah I know
[00:53:13] now I just want to like rewatch the movie
[00:53:15] and just like fast forward
[00:53:16] and just like pause
[00:53:16] and really appreciate every bit of jewelry
[00:53:20] you know because it's the least we could do
[00:53:22] yeah so I just found that absolutely fascinating
[00:53:26] and that's all I got
[00:53:29] can I just say that I appreciate so much
[00:53:32] the underlying message of this film
[00:53:35] for women who are dating
[00:53:37] which is that you should not settle
[00:53:41] for bullshit behavior
[00:53:42] no no
[00:53:43] because you should definitely keep in mind
[00:53:47] anyone out there who is dating
[00:53:49] that the person you marry
[00:53:52] is not going to get better than they are
[00:53:55] yes
[00:53:56] you once you marry a person
[00:54:00] there's something in them that says
[00:54:02] that's fine now
[00:54:04] I don't have to change anything about myself
[00:54:07] I can be cemented in
[00:54:09] I definitely don't have to improve
[00:54:11] if anything I'm going to go downhill from here
[00:54:13] and so for her to say
[00:54:16] no I have a standard
[00:54:18] for the kind of human being
[00:54:19] that I expect you to be
[00:54:21] and I understand our situation
[00:54:23] is that we are married here
[00:54:26] but that is not going to mean
[00:54:29] everything that you think it means
[00:54:31] until you meet that standard
[00:54:33] I know she's like
[00:54:34] I don't give no fucks that you're the emperor
[00:54:37] and she's like
[00:54:38] all right I have these things
[00:54:39] and you haven't met them
[00:54:40] and I don't care
[00:54:42] what bet you made
[00:54:44] it's just like he declared right
[00:54:45] he's like oh if I win you a
[00:54:46] disort fight
[00:54:48] you have to go home with me
[00:54:49] she didn't agree to that
[00:54:51] she didn't she didn't agree to that
[00:54:52] you know even though he won
[00:54:54] and she's like nah
[00:54:55] not going back
[00:54:56] yeah
[00:54:57] didn't agree to it
[00:54:58] boom
[00:54:58] yeah you you set the terms
[00:55:01] the other person in the relationship
[00:55:04] does not get to dictate to you
[00:55:06] what your terms and boundaries are
[00:55:09] and nobody else gets to
[00:55:12] tell you what you put up with
[00:55:14] yeah
[00:55:15] what you should put up with
[00:55:17] yes
[00:55:17] sidebar to a slightly more serious note
[00:55:20] I just want to say that this
[00:55:21] the message of this movie
[00:55:23] is important today
[00:55:25] in the current climate of India
[00:55:27] this whole kind of like
[00:55:28] message of religious tolerance
[00:55:30] and whatnot
[00:55:31] especially with what's going on
[00:55:33] with the
[00:55:35] you know the ruling party
[00:55:36] again I'm not going to make comments on it
[00:55:39] people more well versed than me
[00:55:41] can speak on this
[00:55:42] but I think
[00:55:44] that this movie was
[00:55:46] you know it's like a lovely fantasy
[00:55:49] right of
[00:55:50] in hindu star and of in India
[00:55:52] where people of various religions
[00:55:55] creeds cultures
[00:55:56] can live together
[00:55:58] unfortunately that is not the reality
[00:56:00] and I do want to acknowledge that
[00:56:02] you do come away at the end
[00:56:05] and this is
[00:56:06] the thing about historical dramas
[00:56:08] quite often is that
[00:56:09] it's a film
[00:56:10] it has to wrap up
[00:56:12] and has to have a satisfying ending
[00:56:14] and so for him to say
[00:56:15] hey
[00:56:16] I believe in religious tolerance
[00:56:18] I love my hindu wife
[00:56:20] you do kind of come away with this fuzzy feeling of like
[00:56:23] and then from the 1560s onwards
[00:56:26] there was religious harmony
[00:56:28] yeah
[00:56:29] Indian subcontinent
[00:56:31] yeah exactly
[00:56:33] you know
[00:56:33] and then except
[00:56:34] you watch it
[00:56:35] and you think about what's happening now
[00:56:37] and you're like
[00:56:39] if only
[00:56:40] if only a love story could
[00:56:42] if only
[00:56:43] all at all
[00:56:43] mm-hmm
[00:56:44] right
[00:56:45] shall we talk about awards
[00:56:48] yeah mine's like really obvious
[00:56:51] probably anyone could guess it
[00:56:53] but I'm giving best elephant
[00:56:56] in a period drama
[00:56:58] to that elephant
[00:57:00] yeah
[00:57:00] that got tamed
[00:57:02] by Jalaluddin
[00:57:04] I call her Fifi
[00:57:06] aww Fifi
[00:57:07] I don't I
[00:57:08] I would really love our Indian listeners
[00:57:11] to write in and tell me like what is
[00:57:14] a very like stereotypical
[00:57:16] cutesy name for a pet
[00:57:18] yeah
[00:57:19] because that's what I want to call the elephant
[00:57:21] but for now I'm calling her Fifi
[00:57:22] okay that's cute
[00:57:24] I like it
[00:57:25] I like Fifi
[00:57:26] she's cute
[00:57:27] so mine goes to the most
[00:57:31] random action
[00:57:33] in a sword fight
[00:57:35] and then
[00:57:37] that goes to Jalaluddin
[00:57:39] when he you know he's doing this like play-ish
[00:57:42] sword fight with Joda
[00:57:44] and then suddenly he like grabs this basket of flowers
[00:57:47] and like throws it in slow motion in her face
[00:57:51] I need to remember that
[00:57:53] the next time I'm in a sword fight
[00:57:54] I'll be like
[00:57:55] and she has exactly the reaction you would expect
[00:57:57] yeah
[00:57:58] I mean she's not charmed by it
[00:58:00] she's like what the fuuuck
[00:58:01] what the fuck is this
[00:58:02] yeah
[00:58:02] got flowers in my mouth now
[00:58:04] with the
[00:58:04] I know
[00:58:05] pfft
[00:58:05] I thought we were having a sword fight
[00:58:07] yeah
[00:58:08] so I'll be like
[00:58:09] next time I'm in a sword fight
[00:58:11] I'll be looking for that random basket of flowers
[00:58:14] you never know
[00:58:14] it's gonna come in my face
[00:58:15] element of surprise
[00:58:17] the florist is gonna be furious
[00:58:19] I know
[00:58:19] it's like
[00:58:20] all right awesome
[00:58:22] yay
[00:58:24] we made it
[00:58:24] thank you for listening
[00:58:26] I'm gonna go rewatch the part just where
[00:58:30] they've got a big
[00:58:31] not real elephant foot
[00:58:33] stopping on dude's heads
[00:58:35] and they explode into jelly
[00:58:37] yeah
[00:58:38] wonderful
[00:58:39] and then I'm gonna go find all my jewelry
[00:58:41] and just pile it on top of my face
[00:58:45] and go to sleep
[00:58:45] I think you should
[00:58:46] yeah I need you to wait
[00:58:47] see how much all that weighs
[00:58:49] yeah
[00:58:49] yeah
[00:58:50] brilliant
[00:58:50] all right
[00:58:52] thanks for listening
[00:58:53] yes
[00:58:54] and please send us ideas for more period dramas
[00:58:57] from this region
[00:58:58] because we love period dramas from India
[00:59:02] and everywhere around South Asia
[00:59:04] and you can do that by hitting us up on our Instagram
[00:59:08] at fetch smelling salts
[00:59:10] or at our email
[00:59:13] fetchsmelling salts at gmail.com
[00:59:15] and if you want to chuck some coins our way
[00:59:19] you can go to buy me a coffee dot com slash fetch smelling salts
[00:59:25] so Helen can get paid
[00:59:27] yay
[00:59:27] we gotta pay Helen
[00:59:29] I know she has to listen to us
[00:59:31] bless her
[00:59:32] all right good night
[00:59:33] good night
[00:59:34] bye
[00:59:42] it's all finished
[00:59:44] what



