Jew Talkin' To Me? with Dan Patterson
Jew Talkin' To Me?February 16, 2024x
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Jew Talkin' To Me? with Dan Patterson

Join Jewish Comedians Rachel Creeger & Philip Simon for their comedy podcast, a chat show about all things Jewish, produced by Russell Balkind. This week we're joined by multi award winning TV producer and playwright, creator of shows including Mock The Week and Whose Line Is It Anyway?, Dan Patterson!


Subscribe to our Patreon: @JewTalkin

Facebook: @JewTalkin

Twitter: @JewTalkin

Instagram: @JewTalkin

Lots more fantastic episodes waiting to be released, so don’t forget to subscribe and leave us a 5* review - it really helps other people find the show. Go on… it’s what your mother would want!

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Dan Patterson


Dan Patterson is an award-winning writer and producer of comedy who has worked on radio, television and the stage. His career began as a producer for BBC Radio where he worked on perennial favourites the News Quiz and Week Ending before creating his own comedy shows Saturday Night Fry with Stephen Fry and Whose Line Is It Anyway? (which he co-created with Mark Leveson). Whose Line Is It Anyway? won numerous awards including the Sony Radio Award, and both BAFTA and the Royal Television Society awards. Dan also created and produced Clive Anderson Talks Back (Channel 4), Clive Anderson All Talk (BBC One), S and M (Channel 4), The Brain Drain (BBC Two), Never Mind The Horrocks (Channel 4), and Dan co-wrote sitcom The Peter Principle (BBC One). In addition, Dan developed and produced Room 101 for BBC Two and was involved in the development of They Think It’s All Over for BBC One. In 1998 Dan took Whose Line Is It Anyway? to America, producing it for ABC Television where the episode that guest starred Robin Williams attracted an audience of over 15 million people. When Dan returned from the States in 2004, he established Angst Productions and, with Mark Leveson, created the hit satirical panel show Mock The Week which has completed 21 successful series over 17 years. Other Angst Productions shows have included 29 Minutes Of Fame (BBC One), the improvisation based Fast and Loose (BBC Two), Trust Us With Your Life (ABC) and The Great American Joke Off (The CW). For the theatre, Dan Patterson co-wrote with Colin Swash the political farce and Olivier nominated The Duck House starring Ben Miller. In 2023 Dan co-wrote Winner’s Curse with Daniel Taub, a play about international peace negotiations starring Clive Anderson, which ran at Park Theatre.


But the really important thing is that, as a teenager, he went to Habonim Dror.


Website: https://www.angstproductions.tv/about/

Twitter: https://twitter.com/1DanPatterson



Hosted on Acast. See acast.com/privacy for more information.

Join Jewish Comedians Rachel Creeger & Philip Simon for their comedy podcast, a chat show about all things Jewish, produced by Russell Balkind. This week we're joined by multi award winning TV producer and playwright, creator of shows including Mock The Week and Whose Line Is It Anyway?, Dan Patterson!


Subscribe to our Patreon: @JewTalkin

Facebook: @JewTalkin

Twitter: @JewTalkin

Instagram: @JewTalkin

Lots more fantastic episodes waiting to be released, so don’t forget to subscribe and leave us a 5* review - it really helps other people find the show. Go on… it’s what your mother would want!

--------------------------------------------------------------------- 


Dan Patterson


Dan Patterson is an award-winning writer and producer of comedy who has worked on radio, television and the stage. His career began as a producer for BBC Radio where he worked on perennial favourites the News Quiz and Week Ending before creating his own comedy shows Saturday Night Fry with Stephen Fry and Whose Line Is It Anyway? (which he co-created with Mark Leveson). Whose Line Is It Anyway? won numerous awards including the Sony Radio Award, and both BAFTA and the Royal Television Society awards. Dan also created and produced Clive Anderson Talks Back (Channel 4), Clive Anderson All Talk (BBC One), S and M (Channel 4), The Brain Drain (BBC Two), Never Mind The Horrocks (Channel 4), and Dan co-wrote sitcom The Peter Principle (BBC One). In addition, Dan developed and produced Room 101 for BBC Two and was involved in the development of They Think It’s All Over for BBC One. In 1998 Dan took Whose Line Is It Anyway? to America, producing it for ABC Television where the episode that guest starred Robin Williams attracted an audience of over 15 million people. When Dan returned from the States in 2004, he established Angst Productions and, with Mark Leveson, created the hit satirical panel show Mock The Week which has completed 21 successful series over 17 years. Other Angst Productions shows have included 29 Minutes Of Fame (BBC One), the improvisation based Fast and Loose (BBC Two), Trust Us With Your Life (ABC) and The Great American Joke Off (The CW). For the theatre, Dan Patterson co-wrote with Colin Swash the political farce and Olivier nominated The Duck House starring Ben Miller. In 2023 Dan co-wrote Winner’s Curse with Daniel Taub, a play about international peace negotiations starring Clive Anderson, which ran at Park Theatre.


But the really important thing is that, as a teenager, he went to Habonim Dror.


Website: https://www.angstproductions.tv/about/

Twitter: https://twitter.com/1DanPatterson



Hosted on Acast. See acast.com/privacy for more information.

[00:00:00] Hello Philip. Hi Rachel, how are you doing? I'm okay. I still have my post viral cough but

[00:00:04] part of that should really find how are you? Yeah, not too bad thank you not too bad. Nursing

[00:00:10] whatever cold still lingers but we got half term coming up next week so every minute up until then

[00:00:17] is a gift. Obviously that's not true. So here's a little bit true. Well normally we each have a

[00:00:24] most Jewish thing of the week to share but on this occasion we've literally shared them because

[00:00:30] we had the same one. We did not by coincidence but there was an event that we were both invited to

[00:00:35] and we went along representing ourselves and Jew Talkin To Me. So you might have seen it mentioned

[00:00:41] in the press or heard it on the radio or even on social media but Marcel Noble decided to create

[00:00:48] an amazing art installation at JW3 where he turned the entrance way from the street into the building

[00:00:56] into a love lock bridge and if you don't know what a love lock bridge is it's all around the world

[00:01:01] they've got in different countries bridges where people normally go with their partner and they've

[00:01:06] been scribed a padlock which they attach to the bridge and it's a way of like signifying their

[00:01:10] commitment to being together forever but this one was to remember the hostages in Gaza and you could

[00:01:17] either just sign it or you could dedicate it to an individual person they had one up for each of

[00:01:22] the people and there was a ceremony in different Jewish personalities spoke and shared their thoughts

[00:01:28] and it was actually incredibly moving. It really was it was so nice to be part of something that

[00:01:34] felt like we were we felt like we were bringing together a group of people with a shared experience

[00:01:40] to send a message out to the world and just a chance to say to people don't forget the hostages

[00:01:45] you know there's a lot of stuff in the media at the moment about Israel about Gaza about

[00:01:50] anti-Semitism in the UK or around the world and actually it often feels that the the memory

[00:01:55] of the hostages is being drowned in a lot of that noise so it was really important to be part of

[00:02:01] an event like that some of the speakers and the dignitaries that were there were you know people

[00:02:07] from Dame Maureen Lickman to Howard Jacobson to Josh Howie a former guest on our show but for me

[00:02:14] the most moving encounter I had was with Sharon Lipschitz who was the daughter of one of the hostages

[00:02:21] and just hearing her strength and her fortitude at this time was really very moving for me.

[00:02:26] Yeah she read out a list of the people from her kibbutz who were still hostages and after she

[00:02:32] said like her father's name and then every time she said another man's name she said also my

[00:02:36] father and every time she said like a young man's name she said also my brother and every time

[00:02:40] it was also my mother and it was it was really emotional because I think this whole situation has made

[00:02:46] Jews feel very connected to each other in like we are family it doesn't really matter in a way

[00:02:50] what your politics are but unfortunately the state of the world is bringing us all together

[00:02:55] and I guess that's one of the reasons why we decided to re-nunch the series now is because people

[00:03:00] do want to be connecting and you get to hear about the lives of different Jews. And also we aren't

[00:03:06] a hugely political show which means sometimes people just want to hear Jews talk about being

[00:03:10] Jewish what it means for them culturally socially without having to immediately descend into an

[00:03:15] argument about who believes what politically and geographically so that's really important to us.

[00:03:21] There were some amusing parts of the experience as well which I guess lightened the mood quite

[00:03:27] nicely. For me I think there's a bit where you do the photo call so I wouldn't consider myself

[00:03:32] in any way a celebrity but I guess by doing this show we've been given a platform and that's

[00:03:36] really nice we were able to represent by being there but when they had the photo call that had

[00:03:42] a lot of the dignitaries and invited guests in I did the right thing and let other people move

[00:03:48] forward so if they were slightly shorter than me or if I felt they were perhaps more significant

[00:03:53] to the cause than me whether it was one of the more famous dignitaries that was going to get

[00:03:57] more media attention or someone like Sharon who needed to be visibly there at the front.

[00:04:02] So I found myself edging further and further to the back of the photo call actually if you look

[00:04:06] in any of the media online where the main photo has been published you can just make my head

[00:04:15] I didn't want to make a big deal of it I was holding up my padlocks you could still see the

[00:04:18] important part of why we were there. It was just a moment of humour for me that I was there going

[00:04:23] hello hello when really we were not the story I guess at times you just need some kind of light

[00:04:30] hearted moment. My funny moment actually was when they did the individual photo calls for you to come

[00:04:36] and clip your padlocks to the bridge and I was so anxious because I was 100% convinced I was going

[00:04:42] to either drop the key through the slats of the bridge and it would just like plop down to the floor

[00:04:47] below or I was gonna not attach it properly then the padlock would drop off and everyone would be

[00:04:52] touching you'd roll your eyes and be like a typical and I'd have had to then have sent somebody

[00:04:57] to go and get in it would have been a whole bath. I was really really worried so I managed to get

[00:05:01] it on first try very impressive but then I was so relieved that I'd done it but I forgot to

[00:05:07] then turn and look at the cameras or do any of the stuff I was meant to do for them to do the proper

[00:05:12] photo and I just like yeah I haven't ruined this but I did have a due talking to me moment on

[00:05:20] Sunday. What was that? Well from half past two the Lovelock Bridge then became open to the public and

[00:05:26] only walk a couple put their padlocks on it and I met this lovely lady a non-judged lady had come

[00:05:32] up from Sussex because she wanted to show her solidarity and support. I ended up chatting to her with

[00:05:38] my friend Claire in the cafe for a while she was telling us all about how isolating could feel to

[00:05:43] be a non-Jewish supporter of Israel and of us as Jews so she felt compelled to come and join in

[00:05:50] and all the while she was eating a biegal. And Claire said to her are you enjoying your bagel

[00:05:55] and I said biegal and she said what do you mean? So I explained to her the whole thing about

[00:06:01] bagel versus biegal but she said that she would go with my expression because she felt I was more

[00:06:07] authentic so I gave her one of our team biegal badges and she put it next to all her other

[00:06:14] allyship badges that she had on so now there's a woman supporting Jewish people in a church

[00:06:21] in Sussex wearing a team biegal badge. Excellent or there's a woman in a church in Sussex telling her

[00:06:27] fellow congregants how intrusive Jews are in North London. I'm talking about intrusive Jews

[00:06:35] what a great link why don't you have a quick chat about this week's episodes? This is probably one

[00:06:40] of my most favorite episodes in terms of just we always tell our guests that there's no real script

[00:06:45] to this. We've got questions we want to ask but if we end up going off on a tangent it's really not

[00:06:49] a problem that's the joy of a conversation like this. Dan took us at our word and ran with it. I

[00:06:54] would say within a minute of the episode starting he had huts the entire conversation and didn't let

[00:07:00] it go until the very end and when I say that I literally mean the very end regular listeners will

[00:07:07] know the point I'm talking about when we get to it it was a lovely episode they're really funny

[00:07:12] very very interesting talking to him. Lots in common as well with the to my youth movements and

[00:07:18] talking about the joy of singing the songs and so on and very generous for this time as ever.

[00:07:23] Absolutely the conversation flowed so long we suddenly realized we'd been talking for two hours

[00:07:28] and we tried to keep this to a one hour more or less show so we've edited out the bits that

[00:07:35] we're worried will be litigious because we told too many very naughty stories about what we used

[00:07:39] to get up to at summer camps. So for those of you that remember summer camps and for those of

[00:07:43] you that wish you'd been on summer camps sit back and enjoy the show.

[00:07:55] Hello I'm Philip Simon and I'm Rachel Krieger we are two Jewish comedians. I'm orthodox so in my youth

[00:08:19] movement when we sat around the campfire we'd seen Geshe Tseurmaud and eat bizzily and I'm

[00:08:24] reformed so in my youth movement when we sat around the campfire we'd seen crocodile rock and

[00:08:29] eat marshmallows. This show is the audio equivalent of improvisation you never know what's going to

[00:08:34] happen we're always open to suggestions and quite often someone's left going yes and in each episode

[00:08:40] we chat to our favorite Jews about their lives and experiences growing up and how much

[00:08:44] Jewishness plays a part are they American pie or auction pudding. Welcome to Jew Talkin'

[00:08:50] Amie. Let's introduce our guest he's a playwright, producer and creator of shows including

[00:08:58] whose line is it anyway mock the week in room 101 it's done Patterson hello hello I was

[00:09:04] delighted what you said about the youth groups because I was the first one playing American pie

[00:09:09] in my youth group and when I did it that song was quite new but I never did that I was not a great

[00:09:15] fan of the marshmallows I could got too sticky. I knew about you and the Cumzitz guitar playing

[00:09:22] because obviously we know each other from Lim Mood festival where you are famous for bringing

[00:09:26] your guitar and sitting down for a little jam with American pie etc etc yeah I do well I love doing

[00:09:32] that I've always loved doing song leading and I used to do it at have on him camps and you learn

[00:09:36] I mean it's a bizarre set of songs you know songs from out you know the 60s and the 70s we had a lot

[00:09:42] of anti-war songs we used to sit there playing in anti-vietnam songs way after the Vietnam war was

[00:09:49] finished and it was a bizarre collection that the people who were my madras him you know they love

[00:09:54] folk music it was very privileged that we got to know a lot of songs and there's a guy called Simon

[00:09:59] who I used to do the things when I've done them at Lim Mood with him where we sort of do these

[00:10:03] things and I'm in a group called Joan of the Wailers and we do barmits for some weddings and things

[00:10:08] usually our own is rather than anybody else's but we also get that me and my brother Phil and Joe

[00:10:14] Brooks and Simon Styles and it's it five of us yeah I love that no matter what youth movement you

[00:10:19] went to like could be a harmonium it could be Benerkeva it could be Studge Group it could be whatever

[00:10:25] we all used the RSY song book that was like the main guides when we were teenagers because

[00:10:31] what happened was there were two people in Habonim who took over RSY I think in the late 70s early 80s

[00:10:38] maybe mid-80s and made it very similar to how it had been in Habonim so I think that

[00:10:43] she wrong was very close to the Habonim one maybe the difference was the Habonim Kibru songs were all

[00:10:48] from the 1940s it was yeah sometimes I play a song to Israel isn't they both that laughing because

[00:10:54] you know that's like playing green sleeve you saw I mean it just so

[00:10:59] these things but there's a certain group of songs and I always joke if somebody says do you

[00:11:03] know this song and I go next after 1973 so I have no idea what it is but you know it was nice to

[00:11:08] see my kids all went to RSY so seeing in the in the RSY song book songs of the 80s and 90s

[00:11:15] and things which I thought were tremendously modern but just meant they weren't 40 years out of date

[00:11:19] 30 years out of date I was RSY so obviously you're welcome for the song book but it was that

[00:11:26] thing where you went each year to the summer camp and then a really big part of it was opening up

[00:11:30] the song book the sheron for the first time and working out which songs were new and they never got

[00:11:36] rid of old really old songs you'd have Maxwell's silver hammer and then you've got psychokiller

[00:11:43] it was such a bizarre psychokiller with so far into the few for us and then you've got someone

[00:11:49] trying to work it out on the on the guitar as they're sitting around the campfire one poor kid

[00:11:54] trying to work it out on the guitar I wanted to tell you one terribly embarrassing thing was when

[00:11:58] I was a kid I made up this little slightly embarrassing song which I'm not going to repeat but

[00:12:02] it was called Little Red Songs and I used to sing it in my brother you this song anyway somewhere

[00:12:07] and I meet somebody with no next and I said well are you in have one name and they said yeah

[00:12:11] and I said my name they said oh you wrote Little Red socks and this appeared in the have on

[00:12:16] him sheron in the have on him song book and everybody was thinking that I said well can you sing it

[00:12:21] and she sang it and I went oh tunes a bit different to our members you know that's just because

[00:12:25] I'm told death I tell you I was mortified that this song that's like your moment of absolute fame

[00:12:32] well there's only two things I will be remembered for one is that and one is that I wrote this thing

[00:12:37] with Mark leverson actually called the conscience play which was in have on him for years and it's

[00:12:41] every generation of people who've gone through it have done this at some camp and people always

[00:12:46] know that play it was quite a serious thing we did it in a tent in about 1980 or 81 and it won

[00:12:52] a prize somewhere and I haven't seen it since we wrote it I feel like we should do it now except

[00:12:56] for none of us have prepared for it I think now's the time to tell you we're not actually recording

[00:13:00] and we could probably sing Little Red socks if you'd like to I'm just between us two embarrasses

[00:13:07] me just the kind of thing that should be left with the infamily folklore but I love the way that

[00:13:14] these kids are all kind of singing it seriously I'm going oh my god that's my brother Ben that

[00:13:19] I'm playing that on him I do think the songs that we sang at some camp were the most militant you

[00:13:24] would find us so you'd join in with it you'd do all the different voices different parts whatever

[00:13:29] used to have I've got the actions we did into it too great Jewish song they taught us actions and

[00:13:34] claimed it was sign language wow well we don't think it was we could do for swing love but

[00:13:40] have one it was very left wing very socialist and we had one song which was to the tune of

[00:13:46] green grow the rushes and it was red fly the banner zone and I can't remember all the words but

[00:13:51] we honestly I think it was ten for the days that shook the world nine for the days of the

[00:13:55] general strike eight for the eighth red army wow ten for the days of the working week six for

[00:14:01] the total puddle martyrs five years of the five year plan four for the years it took them three

[00:14:06] three the rights man two two the workers hands working for us living oh one is work as unity and

[00:14:11] ever more shall be so but we were really thinking about five years of the five year plan and four

[00:14:15] for the years it took them and going how about the tens of millions they killed doing it I mean

[00:14:20] we could have sung that for example but wow I mean that's a good song but it's no little red socks

[00:14:25] it's no little red socks I'm telling you this is now going to be the thing it's going to turn

[00:14:28] little red socks into a surprise number one was it was was little red socks like a l'mense about

[00:14:34] this poor sock that gets left in the washing machine no no I wish it had that much paythorcent

[00:14:41] structure no if I'm telling you you're not going to get it out of me it's just too embarrassing

[00:14:47] to be in the UK when I was growing up and I think still really was apolitical like in other countries

[00:14:54] it isn't but here it was an apolitical youth movement so we did sing some of those songs but also

[00:15:00] we did lots of really like well-meaning activities there was one called bureaucratic breakfast that's

[00:15:06] when I remember very specifically that you did every year at camp a bureaucratic breakfast was

[00:15:10] supposed to be so we understood how it felt to be a refusenic in Russia so like a Jew who wasn't

[00:15:15] allowed to practice their religion or get out and they were being sent from pillar to post so

[00:15:19] you know you'd go and to get your breakfast you'd try and get a bowl and they say you can't

[00:15:22] get a bowl so you've got a wheat to mix can't get a wheat to mix so you've got a spoon you can't

[00:15:26] just be it was I don't know why we sort of knew oh that's like fondly we thought oh that's coming

[00:15:30] up soon what a terrible thing well all I'm hearing from that is you had wheat mixed results

[00:15:36] and correct we had cornflakes that was it often we had our morning tea in a cup that smelled of last

[00:15:42] nights vegetable soup because yeah there was no proper washing up but can I also say on the youth

[00:15:48] group from think about it recently there was no health and safety what so I'm not

[00:15:53] hungry how people didn't die because we used to have a we would dig what was called a bog pit this

[00:15:59] was a pitway all the effluence was emptied into and there was also another pit which were all

[00:16:05] the food waste was and then we would do these things playing games at night called a wide game where

[00:16:10] everyone was running around and every year somebody would thought every year and I remember there

[00:16:17] was one guy a madras said to the kid why did you fall in the bog pit and he said I wanted to see

[00:16:23] how far I could lean over without falling into it but how do people not die I just don't get it

[00:16:30] I remember we played a wide game as friend of mine is very tall and they blew the whistle to start

[00:16:34] this wide game and he ran into a metal plow and in my mind it was like in a cartoon where he just hit

[00:16:40] it with his head and he was out cold and this sort of thing happened all the time I think it's

[00:16:44] marvellous now I'm sure they don't do this now but at that time yeah I'm sure they have much more

[00:16:49] health and safety I remember when when I was on one of the camps we did it was a camping one normally

[00:16:54] we were in schools and you had dormitures and things we were campings we had portalus and I was

[00:16:58] the head cook on this camp which also would suggest that no health and safety has gone into this

[00:17:04] whatsoever I must have been just in my early 20s and suddenly I'm head cooked but I had access to

[00:17:11] the portalus before anyone else arrived so I took one and I put an out of order sign on it

[00:17:16] and that was my toilet for two weeks and if anyone saw me sneaking in I'd have to be

[00:17:22] oh I'm just checking it I've got to check it's still not working yet not working when they came

[00:17:27] to empty it after week one the guys are like oh this is out of order I'll get to that

[00:17:31] like no don't worry it's fine it's just my little thing and then I can festive it on the last night

[00:17:37] by giving this whole speech to the camp about what I had done and to this day people still

[00:17:42] reference it as the prank they remember that was played well I have my own personal toilet

[00:17:47] and was this a hessian we sort of had a hessian now we had that bog tend no no these

[00:17:52] these are properties they had proper toilets you know what I'm talking about portalus

[00:17:57] it was portally with blue liquid it's like a smurf adored in yes and whether which he probably

[00:18:02] worked by the way flies everywhere and oh god it was not in mine my toilet there were no flies

[00:18:09] we had like sort of barrels with toilet seats on and you had to put kind of lie or something like

[00:18:14] powder on top of what he thought there was no flashes there was no blue water there was also

[00:18:19] no flushes no no no we were not dying on there we're done a flush we have this pessian sack

[00:18:27] when my younger son who's like now nearly 19 when he started going to camp and they had like

[00:18:33] portalus I was so angry and then he said they had disposables I said what do you mean do you

[00:18:39] not do washing up do you don't have torrents and do you washing up and he said no you just check

[00:18:42] it all in about that I went absolutely mad I like I called the mark was up there he was like

[00:18:47] well about the environment I don't care about the environment I just think he should have to wash

[00:18:50] stuff up my first cam proper when I was 13 I went two weeks without going to the loop

[00:18:56] I was just so horrified by the loop two weeks I mean you couldn't do that now but I also

[00:19:01] wanted to help it safety there was this guy who decided one day to wake up everybody this

[00:19:06] was going to be a hilarious thing to do with one of those huge mallets that used to put up a marquee

[00:19:11] and he was going to go bang on the side of all the bell tents with this mallet and in my mind he

[00:19:18] was doing this and the next thing was some john's ambulance taking out a kid who'd been standing

[00:19:23] up within the bell tent and he smashed on the head while he was waking everybody up the same guy

[00:19:29] by the way we did a camp in Holland whereby we had to take kosher e-dang cheese into the country

[00:19:35] and the customs were incredibly suspicious of this I mean it was actually to the place where they made

[00:19:40] it but there was a sort of place and it had a pond in front of it we green algae and it was sort

[00:19:45] of dusk and the group after us arrived and this guy Arthur came running up to us I mean let's

[00:19:51] be standing there watching in my being silent as well watching him just run into this pond which he

[00:19:57] thought was a lawn because it was up to his neck in this thing and none of us had the way we're

[00:20:03] with all to say stop don't run into that because it's a pond but this is what it was like it was I

[00:20:09] mean it was I see made it all who we are yes we have a strong memory of my husband's mark his cousin

[00:20:15] Benji was in my year in BA and he was always very naughty and up to pranks and stuff but I do

[00:20:20] remember that we were at camp it was winter camp at some boarding school and the summer we were

[00:20:25] intense and the winter being a school and someone shouted from like the bottom of where the

[00:20:29] dorms were really loudly quick quick rise mints built a raft and then we all watched him like he

[00:20:35] just gathered bits of stuff from around the campers and he was like floating out onto his massive

[00:20:40] ponds like what you're talking about I mean it was made of what bits of string and chewing gum

[00:20:45] and like someone pipe in a box and whatever and we just all watched him sort of floating floating

[00:20:50] and sinking and sinking well everybody watched the rafts in my friend Jibrot spent two days

[00:20:56] making a raft for the camp which then all the kids were on it and it sank yeah they should have made

[00:21:01] them out of marshmallows that were unbreakable they're talking about youth groups

[00:21:10] what was the affiliation of having him because obviously R.S.W.I.'s reform the A is too much what was

[00:21:15] we was in reform and it wasn't author it there wasn't a lot to religion at all I mean on a Friday night

[00:21:22] you know we do a cabalatia bat with some songs and somebody would probably read an am frank reading

[00:21:28] or something yeah we had a theme for a camp every year I mean the camp that I remember very

[00:21:32] when I was 13 our one was the Aztecs so we had to get up every morning and say yeah I know it was

[00:21:38] sort of not Jewish I know just this one year they didn't do Jewish but we had various ones we had

[00:21:43] the Steckle but I don't think we had much religion there was a lot of you know sort of Rua and

[00:21:49] Jewish spirit and there was quite a lot of you know educational stuff but it didn't tend to be

[00:21:55] based sorry and we absolutely didn't do grace abdominals we did I mean all my cousins who were

[00:22:00] at Spanneckyver can do the whole of benching I'm always incredibly impressed not just the short

[00:22:04] little bit you do but the whole thing and then 10 extra songs that you shove on at the end we were

[00:22:10] the banging on the table and yeah no we would have thought this was just absurd but I like it now

[00:22:18] I like a bit of benching but we didn't do that we were too serious I get although I had to say

[00:22:22] it was and I'm sure it was the same at your youth groups the thing that held it together I think

[00:22:26] was a sense of humor I think if you had a good sense of humor you thrive there and I remember laughing

[00:22:32] hugely and it's also great for creativity that when you're a madrid you had to come up with a way

[00:22:36] to do an educational program with the kids and you had to find creative ways to do it and you know

[00:22:42] when you think of all the things youth group games it gave us the ability to talk in front of groups

[00:22:46] to be creative to be confident to have I think a greenhouse effect because when we were kids we had

[00:22:52] madrid him who were all doing drama and history and art and music and we have them giving us all

[00:22:58] that time and attention in a way that I think you didn't have unless you went to a sort of drama

[00:23:03] school or music school or whatever so I think we all have a lot to thank for youth groups you

[00:23:08] couldn't have had a better sort of informal education absolutely don't know whether this is

[00:23:14] going to get me into trouble or not but we took with the whose line is there any way book of games

[00:23:19] to the one count the thing with whose line was that there's one game which we took for

[00:23:25] have on him called camp Charlie where somebody put their arms through or whatever but I remember

[00:23:29] somebody is my maybe my friend Kenny they did a scene I think it was David and Goliath and they

[00:23:33] did it straight and then they said do it again but do it very fast and then do it again with

[00:23:37] it slow motion and that had a real effect on me I thought you know I just thought that was the

[00:23:42] funniest thing I'd ever seen and the most incredibly different thing I'd ever seen.

[00:23:46] You see one of the things for us about have on him was I went to an all boy school and

[00:23:50] suddenly you're going to have on him where there's girls and it was just fantastic in that regard but

[00:23:55] can I also say you bring up whose line that as a sort of neurotic Jewish guy full of angst

[00:24:01] you could not have a show that was less suited to my temperament because the beginning of the

[00:24:06] night you have absolutely nothing and most of what happens you can't control and it is utterly terrifying

[00:24:13] so this is why I look this old right you know I have found 35 years of whose line and it is

[00:24:18] absolutely terrifying there's no other word and it maybe became less in the last you know once we

[00:24:24] got to America and really knew what we were doing and had people that you know you just knew but when

[00:24:29] we started off we obviously have brilliant people like Josie Lachon sessions Paul Burton, Tony

[00:24:33] Satri, Sandy Tox, Mike McShane, Greg Proupes all wonderful all brilliant but we didn't know how to

[00:24:40] do it quite as well then so I mean the thing that I still remember this day was you know about our

[00:24:44] third series we decided to do it in New York so it was a really bad idea but I thought we got so

[00:24:49] many Americans on the show let's do them their home territory and we're doing it in New York and of

[00:24:53] course nobody knows any English performance so none of them know Josie Lawrence none of them know

[00:24:59] any of these people so all the people by this point were quite big stars in England and therefore

[00:25:04] come out and as you will know from doing stand-up if people know you and they're excited to see

[00:25:09] you they're already you've already won half the battle and suddenly nobody of Josie Sessions who was

[00:25:14] incredible in England just utterly went down the pan and in those days we do like eight games and then

[00:25:21] we finish and then I do another eight games after eight games of this one the first one in America

[00:25:26] we had nothing just nothing had worked so I was busy with the director and the people I've in

[00:25:31] the box game right let's do this game let's do this game and the floor manager said you better come

[00:25:35] down everybody is leaving and it is the most terrifying thing that I went down and there was

[00:25:40] half the audience left and I said please we have finished I begged them to stay because obviously

[00:25:46] you can't do improv without an audience you know if you think a sitcom you could do it and then

[00:25:50] conceivably dub something but can't do improv without it and that is my worry dream even now

[00:25:55] but even now if I'm stressed about something I dream that the audience is just leaving and it just

[00:26:03] is the most terrifying terrifying thing so we're getting a sense of what kind of Jew you are obviously

[00:26:09] yes the the hub and in thing your background there the angst ridden Jew you know that Rachel's Orthodox

[00:26:14] and I'm reform but outside of showbiz and outside of the youth groups what kind of Jew are you

[00:26:20] well I don't go to shul very much but I belong to a very good synagogue very wonderful people

[00:26:27] let's reform I didn't grow up reform I grew up in Oxford which is traditional I'm in Oxford does

[00:26:33] have this amazing thing that they have one building which is shared by the Orthodox and reform so on

[00:26:39] any showbiz you can go there and then one part of the building there'll be an Orthodox service and

[00:26:44] another part there'll be reform and they get on very well and they'll come together at the end there's

[00:26:48] no animosity which I always thought was great it's a wonderful community my mother's very old

[00:26:54] and they come and visit her they take the stuff it's it's gone a lot of people I mean the weird thing is

[00:26:58] you know that any single girl you grew up in you were the youngster you were the kid and now you've

[00:27:03] turned into one of the altercats I mean it's just you know that's the terrifying thing and also

[00:27:07] I like I like happy clappy I have to admit arts on table I am Dan Patterson and I like a happy

[00:27:14] clappy service so I like it get tough or I like piano or less or I don't mind in organ but to me

[00:27:21] the thing that lifts me gets me more spiritual is music that is when I can feel a magic

[00:27:28] and in Oxford they really didn't have this and everybody's singing their own key and chanting away

[00:27:33] there's a lot of very good synagogues I go to Ramsey for people's bar mitzvahs and stuff you know

[00:27:39] but people just do their own thing it's the Orthodox thing I'm just dabbing your own thing

[00:27:43] and having been 35 years in reform I'm very used to a congregation doing everything together

[00:27:50] you know if you do caddish everyone does it together it's that thing rather than being on your own more

[00:27:55] I can I tell you one my synagogue story which I won't mention the synagogue but I went along to

[00:28:00] the shore and they said if you got a phone and I went yeah and they said what are you gonna hand it in

[00:28:06] and I'm very as you know from trying to set up the zoom very technofob my whole life is on this

[00:28:11] phone I don't know how to copy it if I lost my phone I'm dead and I went no I'm not going to hand

[00:28:17] in but I've turned it off and they said no you've got to hand it in and I went no I've turned it

[00:28:22] off and they said but you might turn it back on and I went I'm about to get a shoo if I tell you

[00:28:26] I'm turning it off I'm not gonna lie I'm turning it off they said no you can't and I said

[00:28:31] what I'm not coming in and I walked off and then I thought this bluff of mine isn't really

[00:28:36] working because I have to go in I was just furious I was just furious I thought this is just

[00:28:43] ridiculous anyway afterwards I was talking to people and they also what you should do what we do

[00:28:48] you should just say you haven't got your phone with you and I went so the first thing you want me

[00:28:52] to do when I go into synagogue is lie and have a phone but not say that I've got a phone anyway

[00:28:58] that's my Larry David kind of moments of forget this sake Dan just handed in your phone but it was

[00:29:04] this moment of saying well I won't come in then and the guy okay so don't come in we don't care

[00:29:09] don't come I was like ah okay that was my final gambit there if he's not going for that then I'm

[00:29:16] stuck I never heard of being asked to hand it in like in school you know like this registration

[00:29:22] well I was just very irritated by going I'm getting my word that I'm not gonna turn it on but I

[00:29:27] don't want I want it on me I want here look I want this in my pocket so I know I have all that

[00:29:33] information and you're not gonna lose it and that was it also it's kind of thing to make that the

[00:29:39] rule you had to hand it in because they might say there's no smoking inside and give us your

[00:29:43] cigarettes give us your e-cigarette whatever they trust you on some things they also don't trust

[00:29:48] people not to take photos or I don't think it's the photos I think people apparently do switch them

[00:29:53] on I mean I went to a wedding not there it was actually at West London a lovely wedding very very

[00:30:00] very nice family but I was sitting there and Man United happened to be playing Arsenal that

[00:30:05] and there were friends behind me who were all Arsenal fans I'm a Man United fan and so I had one of the

[00:30:11] go yes I was really enjoying this and now I'm just annoyed and then there's another thing where they

[00:30:20] went man United people I said you're fine and then Man United I think went ahead and they went

[00:30:24] it's extra it's injury time for injured shark we're gonna win this and then you hear yes and

[00:30:29] then you hear another yes and so they won three two and my whole experience of this bar mitzvah

[00:30:35] was these Arsenal fans behind me on their phones watching their team beatmite team if they didn't

[00:30:40] want to be spotted all they need to do is shout muzzle tov instead when they were there will be great

[00:30:44] muzzle tov when it hasn't happened yet when they're just walking around that he was never brought

[00:30:51] us in the side I'm so excited for this wedding yeah I would I want to know what happened in that

[00:30:57] shore the one where you have to hand your phones in like there was clearly some it's a very wonderful

[00:31:02] show and I know a lot of great people there so I don't want to cast this version because they are

[00:31:07] very good I go there by the way they do a great kid I mean they're hairy I love a good

[00:31:13] herring I love herring in obstacle when I was growing up this may be unfair and maybe it's changed

[00:31:18] but as a kid I remember there wasn't much it was like peanuts and crisps and things whereas

[00:31:23] some of these things in London you have trillent and you have that you know the whole thing an

[00:31:27] a-lif you know it has has its herrings and all this sort of stuff I've asked some of these

[00:31:32] in the gold can I just turn up for the kid and they always say yes but then you feel you can't

[00:31:37] inside you can't do that Kenya it's just done so my community at one point I had the nickname

[00:31:43] JFK because I would turn up just like it is that's great

[00:31:50] well we've been talking a lot about the past but you're the most Jewish thing that's happened to

[00:31:55] you recently then I want to just delve back into into this because one of the things that I find

[00:32:01] is when you fly to a normal country so you say you're gonna Sweden or you're gonna Iceland or

[00:32:07] you're gonna France you're gonna just somewhere normal and you get on the plane everybody's got

[00:32:12] just the right amount of hand luggage to put into the overhead thing everyone just puts it in

[00:32:17] and it's calm and they sit down and that's fine when you go LL or anywhere to Israel everybody has

[00:32:24] brought a fridge wish they wouldn't want to pay to check in so they've got the fridge and

[00:32:31] nine use suitcases of live chickens which they're all trying to put into the overhead lunch and

[00:32:37] you know I have to say that I like to get on a plane very early so I know I've got my bag in there

[00:32:42] and this is always a fight it's always a fight and I was on a plane to Israel and it was on

[00:32:48] pay stuff wasn't actually the day of pay stuff but it was during eight days it was easy to get and

[00:32:53] they said we've got a Jewish option which is a smoked salmon and cream cheese bagel

[00:32:59] but this is this is tragic because they've really tried you've got to say they've got a Jewish

[00:33:04] option how lovely but I went up to the guy and I said I bet you haven't sold many of these today

[00:33:09] and he said no usually we have a whole lot but nobody's going for this today and you just go

[00:33:14] I wanted to praise the effort but maybe there just wasn't quite the education they're

[00:33:18] knowing what was gonna work during pay stuff I suppose another Jewish thing it's more the

[00:33:22] answer inside I guess but I can't fly anywhere so I just flew to Australia over Christmas and I

[00:33:29] can't go anywhere without spending 50 quid in boots before I get on the plane because I'm just

[00:33:34] going well I might need that I might need that and here's my admission this is like my

[00:33:38] different sometimes mission is my mission I cannot go anywhere without a packet of a modium

[00:33:44] right despite the fact that in my life I've probably had the runs really badly once or twice

[00:33:51] when I was I mean it just never happens but I have a modium and the reason I have a modium is when

[00:33:56] I was on my year course thing I was going from ashgalon to Jerusalem with my friends Simon and Kenny

[00:34:00] and we'd had a lot of fruit is from friends of my parents and I got on the bus and within 15 minutes

[00:34:06] I knew I was in trouble I was in real real trouble on this bus and I don't know if you've been through

[00:34:12] this but you're sitting there going the St. Louis River how how and this was at a time when

[00:34:16] the trip you've saved the driver can you please stop because I and they just wouldn't no one was

[00:34:20] stopping so we got to do some by this point I'm sweating and I say to Simon just find me

[00:34:25] a cubicle find me a cubicle I don't care where just find me and I remember dashing in and so I

[00:34:32] was banging on these doors and finally one of them opens and it's a heragi guy and again in my

[00:34:37] imagination he drags him out throws me in complete relief obviously no toilet paper so I had to use

[00:34:44] the Jerusalem post that was my real sort of you know connection that was my what's it called when

[00:34:53] you have to do I think at a fraternity hazing no I think you go through an initiation that was my

[00:35:00] initiation whole thing that's why to this day I go nowhere without a modium can I ask why you go

[00:35:06] nowhere without a modium but you rely on the fact there will be toilet paper wherever you go

[00:35:10] that's a brilliant question you just have to raise your post touch on your arm I don't

[00:35:14] I don't know I now have many different papers on me no I just I usually have sort of tissue

[00:35:19] knocking around but I find maybe this is just a change in the world and we aren't about the

[00:35:24] really significant stuff to them I'm aware of that but maybe there's just more toilet paper

[00:35:28] in cubicles I've when was the last time you're in a cubicle where there was no toilet paper I don't

[00:35:32] remember that I don't recently happened to me recently what did you do I did what women do which

[00:35:38] is you cool out and someone passes it under the cubicle door so is that why we call the festival

[00:35:44] pass under there was a Jewish story I wanted to tell this is something that is sort of connected

[00:35:50] to a memory is only night for my own bum its for my father was a great guy and he taught

[00:35:55] hebra docs he taught modern hebra lecture post biblical Hebrew very learned a very nice very

[00:36:00] quiet very calm you know I went up to bed and I called him I'm a sound really nervous that I you

[00:36:05] know I don't know how I'm going to do and I just can't sleep he said look you're going to be

[00:36:09] absolutely fine I will be on the bimmer behind you and I will be there and if necessary I will guide

[00:36:15] you through it don't worry and I said thanks dad lovely moment shut my eyes went to sleep great fast

[00:36:21] forward I don't know however many years 25 30 years and my own son is the night before his bum its

[00:36:27] for and he's you know he's very nervous as well very edgy about the whole thing and remembering this

[00:36:32] I said Louis it's going to be fine I'm going to be there with you I will be standing behind you

[00:36:37] on the bimmer and if necessary I can guide you through it but you know nothing

[00:36:43] I thought why can't I have these codec where was why can't these wonderful moments you know

[00:36:49] that you see in dramas and things why can't they happen to me it's just I was there and he was

[00:36:54] a bit of course there was absolutely nothing I would have been able to do but these are the things

[00:36:58] are maximum stress something Philip stand up has got a lot of quite similar stories about his

[00:37:03] boys I think I've had to reign it in a bit actually people have started offering me help after

[00:37:09] gigs when I talk about just how awful it can be I've got a nine year old and a six year old I love

[00:37:15] dearly but they are a challenge I do this theory that whenever we go anywhere by time we leave

[00:37:21] that place everyone in that place knows my children's name because there's so much angst and

[00:37:31] but they're great you know they're wonderful I wouldn't be without them a friend of Michael Adam

[00:37:35] on his bar mitzvah he said that he was up there and he was facing the hall and he was doing his

[00:37:41] piece he suddenly saw his father and uncle and some cousins jump up and go dashing off and he's doing

[00:37:47] his piece and then he sees them all come rush him back in each carrying a box this is the bag of

[00:37:52] each carrying a box and I've just found out that they've gotten any wine for the kiddish and they'd

[00:37:58] all gone to the nearest office and doing his bit as they were well we've all got those stories out

[00:38:10] it does sound like there's a lot the stuff going on like to do with being Jewish and stuff in

[00:38:14] the past in childhood we always like to check in with our guests and find out how they're doing

[00:38:19] and ask the very important question what's the matter bubbler so Dan what's what's going on in your

[00:38:24] gears right now there's two different things there's two different things one is just getting old you know

[00:38:29] just being older the things that you used to be able to do you know making noises when you sit

[00:38:35] down making noises if you bend over making noises I mean just getting out the bath is just getting harder

[00:38:42] I find that you know all things that you would do in the past and you'd absolutely bounce off

[00:38:47] and I look at younger people and I am quite envious of that I don't think I'm growing old with

[00:38:51] grace you know I'm just full of bitterness in envy so that's one thing but the other thing

[00:38:57] and this was sort of coming up because I have a lot around Christmas time is people putting

[00:39:02] all in newspapers things saying the 50 best commas is of all time best 50 best comedy films if

[00:39:08] is there any do a TV by the way my stuff it yeah even there was one on TV on channel 4 it was the

[00:39:14] best hundred improv moments ever I've done I think the one show of improv of that sort of thing

[00:39:20] that's really worked both here in an American round the world surely I'm going to be you know

[00:39:25] I'm going to be in the top 10 I surely so at about 97 was one bit from whose line and they didn't

[00:39:31] ask me they asked the guy at that time who directed it and I was like how do I get on an improv best off

[00:39:37] but those camp dance always drive me out for two reasons one is the best comedy is always

[00:39:44] something like it hot which drives me crackers because while I think it's a very good film

[00:39:50] because Billy Wilder made great films it's not the best comedy it's not funny it's just

[00:39:55] not even the apartment is more funny than that it's just not funny I go have you never seen

[00:40:01] airplane or naked gun or groundhog day or life of Brian or meet the pair so all these

[00:40:08] were and of course no because they're lower brown so no we got to do something this high brow because

[00:40:12] it's Billy Wilder and I'm going Tony Curtis decides two thirds of the way through the films for

[00:40:18] on a carry ground accent which he carries on doing all the way now fine he produces that I've

[00:40:22] gone Tony it's gonna be fine for a couple of lines but it's gonna be a milstone let's drop that shall we

[00:40:28] it's brilliantly constructed let's say it's Billy Wilder was brilliant but it's just not funny so

[00:40:33] that's one of the ones that annoys me and I know I should let this drip over me and let

[00:40:38] you know my father used to say let it wash over you but I can't it just a not all they have the

[00:40:42] I mean I know it's sort of not piecey anymore but they have the top 50 Woody Allen films

[00:40:47] and when all the ones I liked are about number 25 and 25 I'm going right this is just ridiculous

[00:40:52] because what you're gonna put on the top and not his best films and I know I know my

[00:40:57] around comedy so these things dry I guess it's other people's opinions I think other people's opinions

[00:41:04] are increasingly annoying me it's other people's opinions because obviously depends who's voting for

[00:41:09] these things or is it a PR push no it's usually one person these days one person it's some critics

[00:41:16] I get by the way critics I mean that's another thing that really annoys me is I've got to the point

[00:41:20] with a guardian critic and one or two others film critics I should say did if they like a film

[00:41:26] I won't like it vice versa in fact with most film critics I guess the snobbiness you know this

[00:41:32] year I think the holdo was this fantastic I think American fiction is fantastic but I will be very

[00:41:38] surprised if they want anything because they're not seen as waiting I come you know the score says he

[00:41:44] wants to call killers of the flammu or these things I'm sure they will do but I just think with

[00:41:48] the world in the state it is aren't we okay just laughing or just having a story that's great

[00:41:54] you know where's the steam where's amadeus where's moon fellers I mean I know good folks in the

[00:41:59] opinion you laugh I'm just saying a fill with a great story I just want to escape into a wonderful

[00:42:05] film have I hit the right oh yeah absolutely and I love what you're saying about the countdown thing

[00:42:11] of the best of so please get you on the podcast just before purim obviously because we're bringing out

[00:42:16] our top hundred guests that we've had and you're you're in the running you're very

[00:42:23] running now I'll say that and was between now in the end of this podcast I thought you were going to

[00:42:27] say we're bringing here are ten top festivals and there could be a countdown you know because surely

[00:42:35] everybody's favorite it's got to be pizza hasn't it the say tonight isn't that full of wonderful

[00:42:39] memories I think my dad he used to a great say to my mother was always going David we got to get on

[00:42:45] with it the chickens burning whatever is this call gonna be too well done and he was talking about

[00:42:49] doc soldiers and how rabbi Kiva said this and the fact is they were probably plotting the bar cop a

[00:42:55] rebellion on this picture yeah all the stuff that he used to bring out and I just have such wonderful

[00:43:00] happy memories of say this and when you're a kid you know staying up that late you know and it was

[00:43:05] just yeah so it's exciting and you didn't have a kid's hug a dart in those days I don't know whether

[00:43:11] that's good or not did you not have the one with the um bit sick of polo and almond

[00:43:15] yeah yeah the except that obviously somebody had pulled it to hard three years earlier so we

[00:43:21] didn't really move out of the basket yeah yeah and also hiding the afficoment you know and all

[00:43:26] of that this is so magical and people saying why don't we have eggs in the salt water

[00:43:31] every day of the year you know all these things that everybody says and everybody's doing in

[00:43:35] their own ones that one and Hanukkah I think Hanukkah has really strong memories for me

[00:43:41] of something very you felt very safe and cozy and excited and then with the people's

[00:43:46] there and you had your presence that to me was very magical you know I'm sure I should say

[00:43:51] Tishbaab or Shabuata or something but or what's it called Simhap Torah where you walked around with

[00:43:57] a flag which had glitter on it and an art thing with open and there was a slightly main G-Apple

[00:44:03] all the apple yes the flag the apple do you want that and a candle on the top we used to do in a flag

[00:44:08] with a wooden stick and an apple and then a candle or a lit candle well how's it saved me why is

[00:44:16] going on yeah and nothing happens like I don't remember going up loads of sweets on the way out

[00:44:22] you've got well also this is another thing in Oxford I don't know if it's the case now but when

[00:44:26] I was growing up nobody threw sweets and then when I came to London to start again to other places

[00:44:31] everybody threw sweets I just this still happens I always think it's kind of dangerous with Simhap Torah

[00:44:36] it was that we got sweets on the way out it was however was Katana Torah Buraychi or whatever

[00:44:40] that was they would give out like a Kit Katana a Mars Bar or something on the way out as a treat

[00:44:45] but it was at the midst was in Israel that was the first time I saw sweet throwing where

[00:44:50] the kid finishes and then the sweets get thrown but now I have more seducts thing

[00:44:55] that because we always do I mean I don't know I literally never knew they went to

[00:45:00] synagogue until we were invited to the midst of because it was Israel you don't really have to do

[00:45:04] being Jewish because it's it's like being Christian here it just happens

[00:45:07] but do you think though that say am I right in thinking that some of the people who

[00:45:12] will listen to the podcast are not Jewish is this my sound insane that we're walking around

[00:45:17] with a flag with a rotten apple on it and a little thing that opens and you just walk around

[00:45:22] and round with it and that's funny enough in our synagogue in America where we lived for a while

[00:45:27] on Simhat Torah they opened the whole scroll down the corridor so you can see what it was like

[00:45:34] which I thought was fascinating you know everyone held it up and you did it all the way down that's

[00:45:38] by the way another thing you said the most Jewish thing is I turned down what's it called

[00:45:43] where you lift up the Torah what's that called? Padma I turn that down because I thought

[00:45:48] I'm gonna do my back in I am just beginning the old couple ways trying to open the window to

[00:45:54] jump out the hotel room I thought I'm gonna lift it up I'm gonna do my back in I'm gonna drop it

[00:45:59] and everyone's gonna have to fast and I just said no you know thank you for the honor but I'm not

[00:46:04] gonna do it because I will do my back in I just know I'm gonna do you know there's all these

[00:46:07] festival related accidents I mean I you know I don't want to make fun of but I've been to

[00:46:11] quite a lot of funnels lately and I'm always worried that when you do the digging thing

[00:46:16] yeah to throw the soil onto the coffin that I'm gonna do my back in there that it just would be

[00:46:21] a terrible time to do back in if they made a Jewish spin off of casualty that's what it would be

[00:46:27] like it would be Jews sit at home when they're so far watching you know people going into some

[00:46:32] Hattoura with the flags I'm going oh no what's gonna happen here someone's eyes gonna go out

[00:46:36] no I don't get like Torah they'll be like all they're gonna do their back in and everyone's

[00:46:40] gonna have to fast you know there was this program animal hospital I think they should have

[00:46:44] two hospital where people who is related accidents you know things that they've done and you get

[00:46:50] some very nice people sitting around saying so what happened you said well I sat on the flag

[00:46:55] with the Apple you know I did my back in at the funeral the sad thing is that the thing that I go

[00:47:00] to most now you know you go through a period where you go to everyone's bummits for and then

[00:47:04] you have everyone's wedding and then you have a period where it's brisses don't you have I mean I

[00:47:08] know I was at my own bris but I'm gonna say Brit I'm not going down the Ashkelines and I'm gonna say

[00:47:13] Brit you go to these things and you have them and then it's your kids friends bar and bat mitzvahs

[00:47:18] and then weddings and all this stuff but I'm going on a lot of fuels and it's just at the various

[00:47:22] places where you're squeezing you in every half hour so you arrive then you know millions of people

[00:47:27] from the next one with those funerals the back to back funerals that sometimes they remind me of

[00:47:33] you know insure enough the dead there's a scene where they meet another group of friends coming

[00:47:38] the other way who's slightly better actors or slightly more people's actors yeah I sometimes think

[00:47:43] you know you're going to Elevaya which is like an obligation one rather than you really want

[00:47:48] to be there and then you see people coming out who are like all your mates from another fun

[00:47:53] it would have been fun it's one of those things that you're going through at this stage

[00:47:59] we've attended back to back funerals we had to really sit fresh yeah

[00:48:03] who was facing the coffin we had someone it should be a picnic we should have bought a picnic

[00:48:08] they don't cater funerals you have to go to the house but so we we had one I think is about one

[00:48:13] o'clock and one at three o'clock and there was there was crossover but we had to be it both then

[00:48:17] there was a year that we went to the stone setting for my wife's grandparents who had died a month

[00:48:22] the past they kind of did it all same sort of time but we went to the wrong cemetery because we'd

[00:48:27] forgotten where they've been buried yeah can I do another have one in story my brother was at a

[00:48:34] camp I wasn't at this camp but my friend Steve Yenters was those a doctor and my brother who was a

[00:48:38] madrid you know it wasn't like a 13 year old kid he was already 16 17 went up to him and said

[00:48:43] look I've got a problem here and he said what he said my penis is stone blue he said what he says

[00:48:48] it's stone blue I'm dying it's stone blue as Steve said okay so let me ask you a question

[00:48:53] did you just go swimming in the river and he said yes and he said are you wearing blue underpants

[00:48:58] and he went yes and he said are they new and he went yes he said that might be your answer

[00:49:04] you know like him we're a family where we always think it's the worst thing you know Woody Allen's

[00:49:10] line where he says I'm not a hyperconjure but I think whatever I've got is gonna kill me yeah that's

[00:49:15] exactly where I am I always go to the worst stage so my brother was just thinking and my father by

[00:49:20] the way once woke up in the middle of the night to look at the clock you know at a clock radio

[00:49:24] and it was all blurry just couldn't see anything his eyes have gone he wakes up my my my mom and

[00:49:29] said it's gone it's happened I finally you know whatever's happening to me it's happening I can't

[00:49:34] focus on the you know figures on the clock and my mom turned off the light and he was trying to read

[00:49:39] the clock through a glass of water we've talked a lot about food in and out of our stories

[00:49:52] I heard about your funness for a full-on kiddish but as a Jewish mother I do love to hear

[00:49:57] your connection I thought you were going to say as a Jewish mother and I was going I can

[00:50:01] claim some things but I'm not a Jewish mother but you were saying you were a Jewish mother God

[00:50:05] I am a Jewish mother as a Jewish mother myself I love to hear people stories about their connection

[00:50:09] to traditional foods or experiences they've had around Jews and food so do you have any like

[00:50:15] likes dislikes loves hates or stories about Jewish food yes well my hate is and I hate this so much

[00:50:22] that I sometimes wonder whether I am Jewish and I want to do one of these DNA tests it'll be so great

[00:50:27] if it came I wasn't even Jewish and all of this was a waste I mean if you've got my face you realize

[00:50:32] that probably am but I don't like Borscht I just don't like beetroot I don't like it either people

[00:50:38] go on and I'm about oh Borscht if you put the sour cream in it I just don't like it it's never done

[00:50:42] it for me yeah I just don't like beetroot even though I know it's good for you it's good for your

[00:50:47] prostate apparently not to get it up there but it is good but anyway chicken roast chicken Friday nights

[00:50:54] you know if I was on death row there's another happy thing and I have my final meal it would be a

[00:50:59] Friday night I mean you'd have to hope it was on a Friday the day before I don't get into the whole

[00:51:04] scenario this but I just love a Friday night I love the proper thing with I say proper but

[00:51:10] traditional with chicken soup with matzovalls and the whole thing in it and bits of chicken in it

[00:51:16] because boy or chicken in chicken soup is fantastic and then chop liver and then my mother used to

[00:51:21] make the single hazileum which was objín sort of a thing like that but I'm not such a fan

[00:51:27] of the egon onion because I'm not great with onion it's I always think egon onion

[00:51:31] Rachel sounds like a really bad Jewish comedy duo I agree I stab onions and together we're

[00:51:38] egon onion but anyway let's do that our next gig that we're at together let's do a sketch

[00:51:44] with egon onion that just be one person in the corner game what am I chop liver hey

[00:51:49] nice work for me but having the the roast chicken and then afterwards you go and sort of pick

[00:51:54] up the car give yourself that that's my difference but there was also a thing I went to I went to a

[00:51:59] doom and at this do it was like you know a charity event they had a sushi station and I absolutely

[00:52:05] adore sushi and they had a herring station so I was able to have a lot of sushi and I went to

[00:52:10] the herring station I went you know what I think I prefer if really pushed I think I prefer

[00:52:15] the herring I think I actually do and by the way as you say if you look at me I could be anything

[00:52:21] other Jewish I once went because I had a big operation to get rid of a human mice alive

[00:52:26] regland and there was a big scar left and it went keyloid and I had to go and have this thing

[00:52:31] injected and the nurse who is injecting it looked at me and said have you ever thought of having

[00:52:36] a nose job and it was like no but thank you thank you for mentioning it while you're sticking

[00:52:41] a needle in my neck so you know I'm thinking about the my scroll and things like that where they're

[00:52:46] talking about prosthetic noses and you know I had no problem with Bradley Cooper's prosthetic nose

[00:52:52] I didn't notice it after a minute gold and mayor you know gold I had no problem prosthetics on that

[00:52:58] I thought Helen Mirren did a great job I just got over the prosthetics in 10 seconds and thought

[00:53:03] it was great but I've always said I'm a good friend of Jonathan Friedland who is one of my kids

[00:53:07] in Habanim, my my hanikim and I've always said to him he would play me in the Hollywood version

[00:53:13] of my life and he's never happy about that it retakes him I can see that he's going I'm way better

[00:53:21] looking than dad but then I'm going but the people who play you in Hollywood films are always

[00:53:24] better looking than you you know you see Rachel Weiss playing someone whoever it is

[00:53:29] and then you see the real person what was the film about some ritual weiss was in playing

[00:53:34] Deborah Lips that about the whole of course the film is called denial denial Andrew Scott played

[00:53:40] Anthony Julius and he's just brilliant he could just play anything I thought it was actually

[00:53:45] actually there's a guy who was he's a lawyer and he was portrayed in the film by someone

[00:53:49] that sets him on a pedestal he's been played in a movie by an actor it was Rachel Weiss Timothy

[00:53:55] Sporle as David Irving the master's grace I'm probably gonna have to say Tom Wilkinson who sadly

[00:54:02] passed away not he did he did it was great his great performance great Marigold I loved him

[00:54:08] I thought it was great actor that's the thing I mean look there's so much awfulness in the world

[00:54:13] but isn't it terrible people you really respect and loved have gone you know there's for me one

[00:54:20] after the other of the greats of the 1970s when you know that was my formative period in television

[00:54:25] and you know you get Barry Norman going and then you get John Noakes going and then you get you know

[00:54:31] I mean all at different times I know but just giants and they've gone I was very sad about Tom Wilkinson

[00:54:38] going I thought he was just he was terrific that makes me think of the Rebetsons disco at the end

[00:54:43] of Limud Festival where Jacqueline Nichols artist and DJ she puts on an amazing disco but it has a

[00:54:51] segment in it for the Jewish performers we have lost in the year Jewish musical performers and

[00:54:57] that's always like a key moment at that disco oh yeah well it seems to happen more and more

[00:55:03] it seems to happen more and more I'll tell you a thing I'm working on I'm working on a Jewish

[00:55:10] Christ is right so Jewish Christ is right where people from the audience have to come down

[00:55:15] and guess how much an item would be if they had an uncle in the business

[00:55:19] excellent I think now's the time to pitch that show yes

[00:55:26] then they're clattering for Jewish content not on Twitter everywhere else and you know I didn't

[00:55:31] get a broigas do we learn to make broigas your family but what's the difference between a Jewish

[00:55:36] broigas and a non-Jewish broigas about 40 years but it is interesting as I said non-Jewish

[00:55:44] I'm reminded of Elon Gold who's a wonderful Jewish committee absolutely brilliant and he says

[00:55:49] it's so arrogant of Jews to call people who aren't Jewish non-Jewish when it's basically everyone

[00:55:55] isn't everyone and we're saying they're not tiny minority they're everyone else

[00:56:01] we're like 0.0 2% of the world's population but everyone else is a non-Jewish

[00:56:06] well it that I mean that is one of the statistics is 0.0.2 of the world population who are responsible

[00:56:12] for 70% of the anxiety so and that's just in my house I think we punch above our weight in worries

[00:56:19] definitely I'm just conscious of the time you still are right for a bit yeah yeah yeah

[00:56:24] it's quite excellent well particularly now Philippa said there's a countdown you know

[00:56:30] you're doing great but Elon Gold could steal it I'm telling you Elon Gold would wipe the floor

[00:56:35] with my ears very funny can I just say yeah put this on some chat recently but when I was in

[00:56:40] have on it there was a very nice yeah did I mention that have on him draw I should say because

[00:56:46] somebody will say draw we are malgommated withdrawing about 1981 and we have on him draw but anyway

[00:56:52] there was this very nice woman called Ruth Steinman and I once said to Ruth Steinman

[00:56:58] it's lucky that you don't have a sister called Phyllis and she said I do have a sister

[00:57:04] I've been your sister is Phyllis Steinman Phyllis Steinman I mean who does that she might be listening

[00:57:10] and I don't want to you know make this sort of thing but I did think that was a kind of you know

[00:57:14] when parents whose surname is Hamburger and they call their kid a meat and you're just going have

[00:57:19] you thought this through the long term implications of this Phyllis Steinman?

[00:57:23] Ham what have I got any other things I wanted to tell you? I was just wondering what your best musical

[00:57:28] actually was I know it was quite a while ago the reason I'm asking and I'm just saying think about

[00:57:33] Yonster carefully is because Philip and I both come from musical theatre background so this

[00:57:36] is quite an important issue for us guys and dolls is probably my favorite stage musical I think

[00:57:42] there's not a lie here which either doesn't move the plot doesn't move character or it's funny

[00:57:48] and I just think it's so tight and all the songs are credible but I think the film version of

[00:57:52] Oliver was great I think that's although I will get into an argument with various people about

[00:57:57] fagin because I know yeah well I think fagins are terrible character I'm very worried that the

[00:58:03] stage version is coming back because you know the whole thing Ron Moody doing Oliver said I will do it

[00:58:08] but I'm not going to do it like the David Lee in film I'm going to turn fagin into more of the heart

[00:58:14] of the story into a lovable wrote which he did and then since it's come back on stage I really

[00:58:19] worry about the fagin character I think it really drips into anti-semitism and tropes and also I don't

[00:58:25] like it but the actual film with Ron Moody I think is a masterpiece and there's a wonderful

[00:58:31] it's a book called Genius Anxiety it's a terrific book in every regard but there's a chapter about

[00:58:38] a woman a Jewish woman's correspondence with child's dickens about how I submitted a character

[00:58:43] fagin was and although you know it's still not great she did manage to get him to make amendments

[00:58:48] it's a wonderful thing you know it just shows the power of writing and being civil and how sensitive

[00:58:55] child's dickens was that he was prepared to listen to her and make amendments as make a

[00:58:59] man as I should say and it's some very very good I highly recommend that book that's my plug for

[00:59:04] somebody else's work Philips just choking you're right there and you know what's happened is

[00:59:10] the results of the poll have come in and I moved from number 100 down to 99 and you can't believe

[00:59:15] that well is it down to 99 or up to 99 technically well do I get a flake you want the sick

[00:59:22] closest to the bros you know how you can have a plate there's a bath waiting for you well if you turn

[00:59:27] 100 you know in the old days the queen would send you a telegram I guess it's now in child's

[00:59:32] center telegram but I thought if you turn 99 you get a flick very good you know you have to

[00:59:39] rely for that you don't get that automatically no no no my so my wife's grandfather my wife's

[00:59:44] grandfather who died the one that we forgot where he was buried 109 and a half he was you have to

[00:59:49] apply for the card so they did it at 100 I think they did it up to 105 they thought we'll do it

[00:59:56] at the big ones only and you also get a card from the department of work and pensions which feels

[01:00:01] quite passive aggressive yeah it doesn't feel like they're celebrating you so much as wishing

[01:00:05] you would finally pop off because you're costing their money when he died you'd go oh he was so

[01:00:10] close to 110 that would have been a really I mean all I feel is regret all I feel is the

[01:00:18] negative that he didn't make it 110 but I was going to say on the royalty thing my father found

[01:00:23] in a center of Hebrew and Jewish studies in Oxford and there was a fundraiser and I was asked

[01:00:30] to be the after dinner speaker well sorry to introduce the after dinner speaker and I said well

[01:00:35] who's coming you know can I do you know jokes about anyone and they said yes princess and daughters

[01:00:39] coming and I went oh that's all right well I can do stuff what is it Sarah Tindle I can do jokes

[01:00:45] matter so I turned up at this do and I said where's princess and daughter and they went not princess

[01:00:51] and daughter prince has sons daughter and that's a page of material out the window as you are sitting

[01:00:59] there thank you oh no because you know prince has sounded Jordan his daughter was was the guest

[01:01:03] of honorals whatever and I I done all the jokes the wrong jokes funny how you hear things you want to

[01:01:08] do yeah something just to take away it's funny how you hear what you want to hear yeah that people

[01:01:13] are listening to podcasts wanting to hear you know gold but they're hearing damn paton presumably

[01:01:20] if you'd have gone ahead with any material you might have had about princess and instead of prince has

[01:01:24] ham you would have had a bit of a broggus brewing we know you just you said you don't really have much

[01:01:29] in the way of broggus going on your life but the big one I do want to know about even if you're not

[01:01:33] going to share an actual broggus with us we refer to it as the bagel bygill situation so I'd like

[01:01:39] to know which camp you put yourself in are you bagel or are you bygill I'm so bagel I can't even

[01:01:46] begin to think the bygill it's just like I was in America when I was six my father was teaching

[01:01:51] at Cornell University and I was obviously bagel until you know my in laws my wife's family

[01:01:56] and all said bygill I thought they were just taking the piss I had no idea that people actually

[01:02:01] said this but now I'm completely open-minded about it I'm really fine with whatever you want to say

[01:02:07] I also like the ashenazie safari thing because we always grew up although I'm ashenazie we had

[01:02:11] safari pronunciation which is modern Hebrew pronunciation rather than the sort of more

[01:02:17] stetalized biblical ashenazie pronunciation I always like the essence you know like talus

[01:02:23] yeah we always said shabach along we didn't say good shabas he said a talit not a talus so I always

[01:02:29] wondered if Paul Merton the ashenazie for Paul Merton but you know it's a tetanotaph isn't it

[01:02:36] it's a tetanotaph so Jews are all connected in all kinds of bizarre ways like we have loads of

[01:02:44] connections we've talked about Limmerd festival also Philip and I both connected you down in that

[01:02:49] we've been mocked the week's standings so you had this to me yeah but it might have been

[01:02:56] Philip I did it I did it for about seven years and lockdown kind of I did it a little bit during

[01:03:02] lockdown but we met long before that Dan A-Lith because I was the youth worker that A-Lith and I

[01:03:07] was tasked with writing the Purim spiel one year and we met for a drink because they wanted you to

[01:03:13] help me write it and I think your advice was just go ahead and write it and it was great it freed

[01:03:20] me up beautifully so I'm never bill but now that we're doing this I think it was because you were

[01:03:29] doing it later that I was much more involved in the rehearsals and then sort of in the latter

[01:03:34] years I wasn't and by the way in the rehearsals there wasn't any of the real performers there

[01:03:38] right it was just make sure we had the photos and everything so you know I'm not saying that

[01:03:43] the performers come in rehearsal because they didn't so we all have these weird vassais

[01:03:47] connections but who is your most interesting Jewish connection I have two one of them is my cousin

[01:03:55] called Simon Lovestone sir Simon Lovestone yeah he's a sir I know what the hell

[01:04:00] what am I doing but he's a big psychiatrist there's all sorts of stuff about dementia and things

[01:04:06] very very erudite lovely guy but I do this is more tenuous but I have a cousin called Hugh Feather

[01:04:13] that's also a great name so this is my mum sister was his mother but the father was the first cousin

[01:04:21] of Brian Epstein so I'm only once removed so it's my cousin's cousin or my cousin's dad's cousin

[01:04:27] was Brian Epstein's cousin because people's memorabilia are tall because I was too young

[01:04:33] but I was thinking that's pretty good I want to try to say that to Paul McCartney as he was running

[01:04:38] away from me I went to George Martin's funeral don't ask me how but I did and I'm the huge

[01:04:44] Beatles junkie and I was talking to Wix who's part of Paul McCartney's band and I was standing there

[01:04:50] but I was wearing like Beatles time which I wear for various functions when I don't know how

[01:04:54] format is going to be because it's always a good ice break and it's got the full Beatles on it and

[01:04:58] I saw Paul McCartney this is right at the end when people are leaving winning his way towards Wix

[01:05:03] and I'm going I'm about to meet Paul McCartney my life has been leading up to this and he took one

[01:05:08] look at my tie and just walked off in the other direction and I think he would get to say hello to him

[01:05:13] that's one of my big regrets we call this section six degrees of partly bacon and I was trying

[01:05:18] to work out my cousin's cousin's father's cousin's cousin Brian Epstein I couldn't do the maths

[01:05:24] it's not hard it's my mother's sister's husband's cousin my uncle bind marriage cousins okay here's

[01:05:30] the question for you Rachel because you're fairly orthodox in Jewish law is it permitted for a man

[01:05:36] to marry his widow's sister his widow's sister his widow's sister oh his widow's sister yeah

[01:05:43] I don't know what have he got planned why has that come from well I'll tell you why if you think

[01:05:48] it through his widow's sister yeah this means he's been oh you were being clever see he was a

[01:05:54] little trick question there I thought we could brighten the mood bring up listeners you know some

[01:05:59] family for everybody to do and I thought it was a nice little moment a moment you might all have

[01:06:03] expected did you have all those things they're called conundrums it would be like a man pushes a car

[01:06:09] to hotel and his bankrupt you know and then you could ask yes or no questions so do you have that

[01:06:14] to cover endless coaxion is or clear patcher is dead on the floor in a pool of water yeah

[01:06:20] yeah yeah and then turns out clear patches of fish oh a man gets an arm no gets an arm soup through

[01:06:28] the post and then tastes it and then shoots himself something like that and whatever it is it's

[01:06:33] okay no this is what's known as a comedy called sack no it's more that it's really triggering

[01:06:39] remembering those coast turnies a man pushes a car to a hotel and his bankrupt you know what it

[01:06:44] is I'll tell you he's playing monopoly oh I remember there was quite a few where the answer was

[01:06:50] something to do with ice you know like yeah yeah yeah I'm sorry this is all of water

[01:06:58] yeah so it's a snowman one so my kids currently love all these riddles I think so we're always

[01:07:04] being caught out with them the ones you know you're driving a bus you pick up five passengers ten

[01:07:09] passengers you know that one yes all the plane crashes on the border between England and Scotland

[01:07:14] where are the survivors buried yes that those I want that one yeah what's the one here for

[01:07:19] them I'm gonna do this with you okay say roach ten times fast roach roach roach roach roach roach roach

[01:07:25] what do you find a toaster bread I have a nine-year-old child who does all these we say silk

[01:07:32] and we're not meant to say milk you know it's this is this is what got us all into use groups well I

[01:07:37] think this actually leads very nicely to the next question you've already said that whose lines

[01:07:41] in anyway might have been inspired by your time at hub and M so we do want to know how much if

[01:07:46] at all your career has been affected by your Jewishness obviously I think have one in draw was

[01:07:52] a an influence certainly in getting those sorts of things going I mean people exaggerate how much

[01:07:58] it was take your from having an influence but there's no doubt that I really got into creativity and

[01:08:03] comedy a lot through having them not entirely I've also got a scholarship to America and I was at

[01:08:08] a an Arba Michigan and then North Weston and North Weston does this show called the Meow Show which

[01:08:13] actually was improv and that's the first time I never got into improv and that was influential too

[01:08:18] that showed me how amazing improv could be but the Jewishness I think is more the people I knew I

[01:08:23] did all my big shows with Mark leverson and I met Mark in Habonium and we you know we studied

[01:08:30] great friends and we worked together all the way through and he was very critical in getting all

[01:08:34] you know working all these shows with me so I think the Jewishness I could say comedy my family

[01:08:40] love comedy my parents had great senses of humor my parents were both in Habonium and they met

[01:08:45] in Habonium and a lot of their friends were very funny and so I was surrounded by funny people

[01:08:49] when I was growing up so I think it would be more that than anything absolutely direct and also my

[01:08:55] anxiety part of the reason I think I'm not a bad producer is because I worry about everything so

[01:09:00] I always assume I always say you're doing a show assume everything will go wrong and cover yourself

[01:09:06] for that and then if it doesn't you're ahead of the game just people I know you know I'll say I'll

[01:09:11] meet you at somewhere and I always give myself as a producer half an hour in case there's you know

[01:09:17] a traffic jam or the trains aren't running and people turn up half an hour late because they always

[01:09:21] think everything will be perfect so I think good producing is often because you're anxious and a bit

[01:09:28] you know bit of a worry that's probably where the Jewishness comes in. I think someone was saying

[01:09:33] something very similar on last weeks the apprentice you're fired but they were talking about to be

[01:09:39] a good manager of any kind of an event which I suppose TV recordings, radio recordings etc they're

[01:09:44] still events it's about being extra prepared and also ready to think on your feet so you're

[01:09:49] immediately. Definitely but I think it's troubleshooting it's looking ahead and go okay that should

[01:09:54] be fine but if it isn't fine what do we do I remember dealing with an American agent I was doing

[01:09:58] a show here and it requires the labs and the whole show is about this left and we were flying them in

[01:10:04] Serena Williams actually and the agent said oh we've just got a change of plan she's now going to

[01:10:09] fly in and arrive on the day of the recording and I went oh no we can't do that because if there's

[01:10:13] a problem the whole recording is about her you know I can't do anything else and they said worst case

[01:10:19] scenario she's a bit linked. No that's not the worst case scenario that's not great but not terrible

[01:10:25] worst case scenario is the plane gets cancelled and she doesn't come at all that's the worst case

[01:10:30] that you don't have to deal with but I do and I think you know slight pessimism you need

[01:10:35] positiviveness you need positivity I should say to have maybe the design the drive and the hope

[01:10:41] and the thrill of doing something but I think you need the worry and the negativity to think

[01:10:46] that things might go wrong and therefore what are you going to do with that.

[01:10:52] Well that's nearly all we've got time for but how will our audience know what you're up to if

[01:10:56] you never call and you don't write and normally we'd allocate 20 seconds to do this but for you

[01:11:01] 30. One of I got well the main thing I've written a couple of plays which are doing the rounds

[01:11:08] at the moment so I might be doing a read for one of those in the not too distant future so far

[01:11:13] I think it's funny at the moment because there was quite a lot of development time I've been doing

[01:11:18] writing of films and writing of plays I did the duck house 10 years ago with the guy called Colin

[01:11:23] Swash and we did it in London starring Ben Miller and it ran for about six months at the board

[01:11:26] of all theatre and that was incredibly exciting because obviously Summer you haven't done as much

[01:11:30] is more exciting than Summer you do all the time so I just absolutely love that so I'd love to get a

[01:11:35] play on I'm looking for investors I don't know if you're listening investors to do a job

[01:11:41] as a sweet that's right well you've come to the right place yes and then I look I've got a lot

[01:11:47] of stuff going on in America I'm trying to get stuff going on here I think you should write to

[01:11:52] the BBC and say bring back not the week that would be a good thing to do because I would love

[01:11:57] mock the week to come back I really feel we've still got this still got legs it's still got things

[01:12:01] to do the great thing about mock the week was it was a great conduit for new stand-ups to come through

[01:12:07] and stand-ups had the double whammy of COVID which made their lives very difficult and then mock

[01:12:12] the week as I said we were probably us and live at the Apollo are the two main places you come

[01:12:18] through and I think there were lots of great comedians coming through at the moment there's more

[01:12:22] good news than you can deal with and sorry I say good news I mean news that's good for comedy

[01:12:28] I don't mean any of the news is good I would say it can be bad you know but it's a lot of stuff

[01:12:34] that's good for comedy so you know I genuinely wish we were back on because I think you know I

[01:12:38] loved working with that team I love working with the people in our office I love work with Dara and

[01:12:42] Hugh Reese and Ed Milton and Angela and Maisie and all the incredible comedians we had and I as

[01:12:49] I said there's new ones coming through so that's something that I'd really wish would come back

[01:12:53] and I am doing a lot of writing and I'm fine enough thinking of the jokes for tonight

[01:12:57] I did think oh there would be stuff that I'd like to do with your church yeah you know you're talking

[01:13:03] about wishing that mock the week would come back and I just think about the advice that you get

[01:13:07] unsolicited from people who come and enjoy your comedy where they just come up to us and say

[01:13:11] hey you ever like just contacted live at the Apollo and just told them you want to do it I had that

[01:13:16] with you it limured that people kept saying just going towards the Dan he'll put you on mock the week

[01:13:20] and I was like he knows why I'm I'm pretty sure of it that's not how it works that you don't go

[01:13:24] up to someone at a Jewish winter you know holiday camp and just have well also it's a reverse

[01:13:30] because people always think that anybody will be available to do so they say have you asked

[01:13:34] Dawn French have you asked Victoria what it's like yeah obviously we've asked but I mean

[01:13:39] don't want to think so yeah what does that mean and there was one time I went to this opening bit

[01:13:44] of limo where lots of people coming up and saying what they were going to do and this American guy

[01:13:48] god I'm saying I'm doing who's lies anywhere I hear the producer the creator of it's here now yeah

[01:13:51] that's me you just die in front of me but there we go but yeah so maybe that's all you need to do

[01:13:58] down just find someone to write to and I'm sure they'll bring back mock the week that's it all you

[01:14:02] need to do is write a letter I think after that we should have the the play out music with the Jimmy

[01:14:08] Savole one letter is that he's the star of it the time has just flown away I know oh and it's

[01:14:19] like life isn't it Rachel it's like life you're enjoying it then it's gone lovely well I've

[01:14:26] absolutely loved this and will now always think of Dan as the Jew who doesn't want to miss out on

[01:14:31] a countdown unless it's the top 100 songs about little red socks very sweet and as my grandfather

[01:14:37] used to say I love seeing your smiling face arrive and I love seeing your little tuchas leave

[01:14:42] which is a good thing as we've come to the end of this week's show as my grandmother used to say

[01:14:46] if you haven't got anything nice to say say in the edition oh that reminds me Dan we haven't

[01:14:53] done jua lingo so taking inspiration from your grandma do you have any favorite Jewish or

[01:14:58] Yiddish expressions well we didn't grab with much Yiddish in the family we were much more Hebrew but

[01:15:04] I love the word halishing halishing meaning you're salivating that means you're just dying for some

[01:15:10] you're halishing for some herring you're halishing for some chicken I don't know if it just applies

[01:15:14] to food or whether you're halishing to watch a good show but I think it is just food but to me you

[01:15:19] know as with a lot of the edition so evocate with the sounds or whatever but halishing it sounds like

[01:15:24] you've got a mouthful of saliva which as we know is a lovely image that's what I do that that's a word

[01:15:30] you know I love shlet broigas I do think it's a great word I think broigas is just oh my friend

[01:15:36] Mark when we had on him he thought the word seminar was the Hebrew word because we were always

[01:15:41] going off to seminar he thought that was Hebrew when I was in seminary that because that's what

[01:15:46] mean we think of it we had an American teacher and he kept talking about a fillet of fish when

[01:15:52] he was talking about like kosher food he kept mentioning a fillet of fish and because in England

[01:15:57] we like said that we say fillet we all thought fillet must be like a Talmudic term so we all wrote

[01:16:02] it in Hebrew like failureed lumbargea fillet and we kept like trying to find out what it would

[01:16:07] it meant in Hebrew well you know also know this is quite biblical but you know the thing you take the

[01:16:12] statin it's there's a statin I take it's called a tour the statin a tour of a statin yeah and I always

[01:16:18] think that sounds like biblical Hebrew you know tohuvavochu is in Genesis it means you know this sort of

[01:16:24] chaos chaos in the universe tohuvavochu and I think a tour of a statin where do you get statins

[01:16:31] deliver who delivers your statins in New York the statin island fair I am here who's

[01:16:41] the thought we do that statins on this show I mean that's very on brand statin Irish or cars yeah

[01:16:48] all that's left russes to you is to thank our guest Dan Patterson follow him on social media follow

[01:16:53] us on social media at philips comedy at rage Krieger at jute talking without the g don't forget to

[01:17:00] subscribe like and share the show with everyone you know and join us next time on jute talking to me

[01:17:11] jute talking to me was hosted by me philips Simon and me Rachel Krieger produced by Russell Balkin

[01:17:17] and judged by our mothers Phil you philip or philip I'm philip but I won't be offended if called

[01:17:23] phil and we were you ever a Daniel no the only people who call me Daniel are people who knew me at primary

[01:17:30] school and doctors I always know it's a thing we're a fraud thing when they say hello Daniel

[01:17:36] and you're saying all right what do you want because I was always a philip and if my parents ever

[01:17:40] answered the phone at the house back in the days of the landline and anyone asked for a phil they

[01:17:45] were like I've said there's no phil here we don't have a phil well my school my secondary school

[01:17:50] we were all called by our surnames and early on you just didn't know anyone's first name and

[01:17:55] I remember having to call up a friend and the mother answer and I said is with them there

[01:18:02] that's amazing ridiculous when you're like well eventually we got to know each other well

[01:18:07] love that we knew each other's names how did your school handle the multiple surnames because

[01:18:12] we had a family of four they were all called Campbell surname so it was Campbell one

[01:18:16] Campbell two Campbell three and Campbell four and when Campbell one left number two didn't graduate

[01:18:21] so at one point there was just a Campbell four in the school who had no other but it would have been

[01:18:26] worse if somebody being called thunderbird