Ep 5: SPEAK UP - REVOXED

[00:00:00] [SPEAKER_04]: Oh, hi, Ramon Fear here. Would you fancy some mind-bending? Well, experience the lighter

[00:00:07] [SPEAKER_04]: side of psychological terror, masterlusion and brutal death as I guide you through two

[00:00:12] [SPEAKER_04]: of my favorite terror tapes. In person! Book your tickets now for Ramon Fears Terror Tapes

[00:00:18] [SPEAKER_04]: LIVE from Cheerful Earful, upstairs at the Bedford on Sunday, the 20th of October,

[00:00:23] [SPEAKER_04]: at 2.20pm, because if you don't, people will die. At some point, go to CheerfulEarful.co.uk

[00:00:32] [SPEAKER_04]: and enjoy some fear with your beer.

[00:00:44] [SPEAKER_04]: That's right! Ramon here! But before you launch yourselves ears first and to speak up, let me

[00:00:51] [SPEAKER_04]: coach your brain with the news that we will be back, commencing October the 14th with

[00:00:56] [SPEAKER_04]: Fish Food LIVE, followed by Trojan Horse LIVE on the 21st and concluding with our Halloween

[00:01:03] [SPEAKER_04]: horror show. Beyond the limit on the 28th of October. In the meantime, get on RamonFear.com

[00:01:13] [SPEAKER_04]: for more news and a good time and be my follower at Terror Tapes Pod. That is all.

[00:01:28] [SPEAKER_12]: House of Fear presents RamonFear's Terror Tapes. Tonight's episode, speak up.

[00:01:43] [SPEAKER_04]: Check one, two, one, two, one, two, three. Kill the fucking idiot.

[00:01:52] [SPEAKER_04]: Met-ma-ma-ma-met-ma-mo-mer-mer-man-man-nigel-man-sel-met-a-more-man-matching-through-mon-mouth-shire-on-a-monday-in-march.

[00:02:08] [SPEAKER_04]: Oh, hi there. You just caught me in the middle of my vocal warm-up.

[00:02:13] [SPEAKER_04]: Wa-wa-wa-Willy Carson and Tim Wannacott whimpering over William Wallace one Wednesday in Wakefield.

[00:02:23] [SPEAKER_04]: Wakefield, field, field, four. Tonight's tale takes place in that padded cell of nightmares.

[00:02:29] [SPEAKER_04]: The recording studio. That would be a terrible place to lose one's voice, wouldn't it?

[00:02:39] [SPEAKER_04]: Wouldn't it? Wouldn't it? Win-win-win-winza-winza castle. Winza castle.

[00:02:55] [SPEAKER_07]: I never liked Driver Get Night, which is why I waited until morning and then drove here.

[00:03:04] [SPEAKER_07]: It was Thursday, and I was on my way to the Lost Catacombs Studio to record my first ever voiceover.

[00:03:13] [SPEAKER_07]: I was nervous. I gripped the wheel to stop my hands from shaking, although I should have been doing that regardless.

[00:03:21] [SPEAKER_07]: You see, up until now, I, Valerie Dux, had solely been a stage actress or actor, I forget which it is these days.

[00:03:30] [SPEAKER_07]: My reassurance was the fact I was going to be working with both my ex-husband and my current husband.

[00:03:37] [SPEAKER_07]: You'd think that would be weird and distracting, but it's not. I'm attracted to neither of them.

[00:03:46] [SPEAKER_07]: I arrived at the empty car park of the studio and executed a frankly beautiful parallel park.

[00:03:53] [SPEAKER_07]: The building looked a little ragged, run down and ramshackle.

[00:03:58] [SPEAKER_07]: Huh, just like my career, I said to myself without the context.

[00:04:02] [SPEAKER_07]: Just like my career?

[00:04:04] [SPEAKER_07]: Still, I was very fortunate to be given the opportunity to venture into audio.

[00:04:09] [SPEAKER_07]: In theatre it's all tits and teeth. In radio I imagine it's all gobs and gums.

[00:04:15] [SPEAKER_07]: The receptionist directed me down the long, echoey corridors.

[00:04:20] [SPEAKER_07]: Why they were echoey as a mystery? The acoustics would have been dreadful.

[00:04:24] [SPEAKER_07]: I looked for Studio 3.

[00:04:27] [SPEAKER_07]: There it is.

[00:04:28] [SPEAKER_07]: I found it.

[00:04:29] [SPEAKER_12]: Val, good to see you.

[00:04:33] [SPEAKER_07]: Terrence? My first husband, Terrence Stamp. Not that one.

[00:04:39] [SPEAKER_07]: Terrence was a sound engineer at the Lost Catacombs. I felt my voice would be safe in his hands.

[00:04:46] [SPEAKER_07]: I was going to be narrating the children's classic, The Dog Who Was On Fire.

[00:04:52] [SPEAKER_07]: A harmless tale that was actually a subtext for irresponsible socialism.

[00:04:57] [SPEAKER_07]: And obviously he wakes up and it was all a dream. Only in this we refer to it as a mirage of the mind.

[00:05:05] [SPEAKER_07]: That hack-tired old shit.

[00:05:07] [SPEAKER_12]: You, uh...

[00:05:10] [SPEAKER_12]: Nervous?

[00:05:11] [SPEAKER_07]: A little.

[00:05:13] [SPEAKER_12]: Don't be. Any problems or if you're not happy with it? We can just do it again. It's not like theatre.

[00:05:21] [SPEAKER_07]: Sure. That's sort of what made me nervous. In theatre you get that immediacy of the audience reaction.

[00:05:30] [SPEAKER_07]: The roar of the smells, the crowd covered in grease paint.

[00:05:33] [SPEAKER_07]: In here it was just me in a tiny soundproof booth.

[00:05:38] [SPEAKER_07]: I'd have to wait for my audience to hear and even then I wouldn't know how they would react to it.

[00:05:44] [SPEAKER_07]: Is Greg here yet?

[00:05:47] [SPEAKER_12]: He's just in the green room. Warming up.

[00:05:51] [SPEAKER_07]: How are you, Terrence?

[00:05:53] [SPEAKER_12]: Yeah.

[00:05:56] [SPEAKER_12]: Fine thanks.

[00:06:02] Just...

[00:06:03] [SPEAKER_07]: Good. I'm glad to hear that.

[00:06:06] [SPEAKER_07]: I'll go and find Greg.

[00:06:10] [SPEAKER_07]: It's a shame things didn't work out with me and Terrence.

[00:06:13] [SPEAKER_07]: He's very nice but just very plain. Vanilla, beige.

[00:06:18] [SPEAKER_07]: He's a bit like lumpy custard all right in small portions but you definitely wouldn't want to fuck it.

[00:06:25] [SPEAKER_13]: Demon!

[00:06:27] [SPEAKER_07]: Fill the burn!

[00:06:28] [SPEAKER_07]: In the green room my husband, the popular TV children's entertainer Greg Rumble was doing his morning exercises.

[00:06:36] [SPEAKER_13]: Demon! You demand... you are the man.

[00:06:39] [SPEAKER_07]: Since his agent flippantly told him to lose some weight seven months ago he'd become obsessed with going to the gym and getting toned.

[00:06:48] [SPEAKER_07]: Go for gold!

[00:06:50] [SPEAKER_07]: Now he was more muscle than man.

[00:06:52] [SPEAKER_07]: Fill the burn!

[00:06:53] [SPEAKER_07]: Even as I stood in the doorway he was stretched out between the two sofas practising squat thrusts in the air.

[00:07:05] [SPEAKER_13]: See this girl? You wouldn't believe I was 57.

[00:07:08] [SPEAKER_07]: He was 58 and looked 60.

[00:07:11] [SPEAKER_13]: Now we're ready to go then.

[00:07:12] [SPEAKER_07]: Yes, Terrence is just setting everything up.

[00:07:17] [SPEAKER_07]: I'm a bit nervous Greg.

[00:07:20] [SPEAKER_13]: Don't start that again. If you keep fretting it means I can't do my job properly and that would not be fair on the little kiddy winkies now would it?

[00:07:28] [SPEAKER_07]: No, sorry.

[00:07:30] [SPEAKER_13]: 100! Boom! All right come on let's rock.

[00:07:34] [SPEAKER_07]: He definitely hadn't been counting when he said 100.

[00:07:39] [SPEAKER_13]: Stand be you old sock wanker. How's it going?

[00:07:42] [SPEAKER_12]: Fine.

[00:07:44] [SPEAKER_12]: We're ready to go when you are Valerie.

[00:07:47] [SPEAKER_07]: Thanks Terrence.

[00:07:50] [SPEAKER_07]: I stepped into my own little booth whilst Greg was recording in what was referred to in common parlance as the live room.

[00:07:59] [SPEAKER_07]: Ironically the stench of death was everywhere and now moob sweat.

[00:08:05] [SPEAKER_13]: I'll look at her ice-tamping. Some women are just attracted to a little bit more of muscle.

[00:08:14] [SPEAKER_07]: Greg was always trying to make men jealous, getting all excited and showing off.

[00:08:20] [SPEAKER_07]: He was like a dog in a car. Really bloody annoying.

[00:08:24] [SPEAKER_07]: I slipped the headphones on over my ears and waited as Terrence got my levels correct from the control room, occasionally saying things like check one two one two

[00:08:33] [SPEAKER_07]: or telling him what I had for breakfast.

[00:08:35] [SPEAKER_07]: For breakfast I had granola which I handcrafted.

[00:08:39] [SPEAKER_07]: He hadn't asked me to do those things. I just hate silence.

[00:08:43] [SPEAKER_12]: Okay brass take your time.

[00:08:51] [SPEAKER_13]: I'll bet you say that all the way.

[00:08:54] [SPEAKER_07]: I begun to speak my first line.

[00:08:57] [SPEAKER_07]: Amongst the trees by the pond of ducks, the sun shone higher and higher.

[00:09:02] [SPEAKER_07]: And that's when it happened.

[00:09:05] [SPEAKER_07]: A lonely dog ran around and he was now on fire.

[00:09:09] [SPEAKER_12]: You're peaking a lot there Val. Maybe just take a step back from the mic. Try again.

[00:09:19] [SPEAKER_07]: Amongst the trees by the pond of ducks, the sun shone higher and higher.

[00:09:25] [SPEAKER_07]: I couldn't get the words out no matter how hard I tried. All that came out was this noise.

[00:09:34] [SPEAKER_12]: I don't know what's happening. I checked the mics before we begun.

[00:09:38] [SPEAKER_13]: Yeah can we just do some of my business then?

[00:09:40] [SPEAKER_12]: Yeah that might be an idea.

[00:09:43] [SPEAKER_12]: Okay Greg let's go from your first line on page two and then Valerie coming on your next cue.

[00:09:49] [SPEAKER_12]: Okay?

[00:09:50] [SPEAKER_12]: We're recording.

[00:09:56] [SPEAKER_13]: Who set me on fire? Was it the field mice at the fair?

[00:10:00] [SPEAKER_13]: My tail is engorged in flames and so is all my hair.

[00:10:07] [SPEAKER_13]: No one knew who struck the map.

[00:10:10] [SPEAKER_07]: This was starting to scare me. It was like my mouth was refusing to receive a simple transmission from my brain.

[00:10:18] [SPEAKER_07]: Someone had knocked out the satellite and now there was nothing but static.

[00:10:29] [SPEAKER_12]: Valerie what's the matter with you?

[00:10:32] [SPEAKER_12]: I don't know.

[00:10:34] [SPEAKER_12]: It's okay, don't panic. We'll just keep trying.

[00:10:37] [SPEAKER_10]: By the pond of ducks, the sun shone higher and higher.

[00:10:41] [SPEAKER_07]: I did take after take after take for hours. Every one of them completely unusable.

[00:10:50] [SPEAKER_07]: An hour became two and then three because that's how the passage of time works.

[00:10:54] [SPEAKER_05]: No one knew who struck the map.

[00:10:59] [SPEAKER_07]: We were no closer to finishing and I was no closer to finding my voice.

[00:11:04] [SPEAKER_12]: Okay let's try again.

[00:11:09] [SPEAKER_12]: Greg from your line, seven on page 15.

[00:11:13] [SPEAKER_13]: Why was he on fire? Because the fire was love.

[00:11:20] [SPEAKER_07]: No one knew who struck the match.

[00:11:24] [SPEAKER_10]: No one knew who struck the match.

[00:11:28] [SPEAKER_13]: Fucks sake Valerie get it together for five minutes.

[00:11:31] [SPEAKER_13]: I can't work like this. I need to do some planks.

[00:11:37] [SPEAKER_12]: Let's take five, Val.

[00:11:42] [SPEAKER_07]: Terrence went to the bathroom and I stayed in my foamy cubicle,

[00:11:47] [SPEAKER_07]: desperately trying to get any of the lines out about this stupid sodding dog on fire.

[00:11:53] [SPEAKER_07]: It shouldn't be this hard. It's just a series of vowels and consonants.

[00:12:00] [SPEAKER_07]: Terrence returned from the bathroom. He always had been a quick pisser.

[00:12:04] [SPEAKER_07]: I stepped out of my booth into the live room where I saw Terrence sitting in his chair in the control room.

[00:12:15] [SPEAKER_07]: It was nothing but a pane of plexiglass that separated us.

[00:12:20] [SPEAKER_07]: Me, him and the mysterious hooded figure standing behind him. Hang on what?

[00:12:27] [SPEAKER_07]: The knife plunged into Terrence as quickly as I could blink and I can blink pretty quickly.

[00:12:34] [SPEAKER_07]: He keeled over onto his mixing desk as his blood oozed out over the equipment which was definitely going to damage it.

[00:12:48] [SPEAKER_07]: I tried to scream but my voice was still this harsh discordant noise.

[00:12:54] [SPEAKER_07]: The killer clocked me and started walking towards me.

[00:13:04] [SPEAKER_07]: I deadlocked myself in my booth trapped inside.

[00:13:09] [SPEAKER_07]: Good job I'm not claustrophobic I thought before remembering that I actually am.

[00:13:15] [SPEAKER_07]: I put my hands over my ears which still had headphones on so they were essentially already doing the job for me.

[00:13:22] [SPEAKER_07]: I shut my eyes and waited for my fate.

[00:13:27] [SPEAKER_07]: Then it went quiet.

[00:13:29] [SPEAKER_07]: I opened my eyes. The killer had gone.

[00:13:33] [SPEAKER_07]: I grabbed my phone and dialed 999.

[00:13:39] [SPEAKER_07]: There's a killer on the loose! Please help! There's a killer on the loose!

[00:13:45] [SPEAKER_07]: I spoke up but was shut down.

[00:13:57] [SPEAKER_07]: They'd gone. The line was dead.

[00:14:01] [SPEAKER_07]: And I was certain that pretty soon I would be too.

[00:14:06] [SPEAKER_07]: I didn't understand. I wasn't even recording this time.

[00:14:10] [SPEAKER_07]: I was just speaking on my phone. Was it this booth?

[00:14:14] [SPEAKER_07]: What had happened to my voice?

[00:14:18] [SPEAKER_07]: Time did that passing thing it continues to do and I was still in my soundproof prison.

[00:14:25] [SPEAKER_07]: The atmosphere had got very strange, eerily calm.

[00:14:31] [SPEAKER_07]: The killer kept coming back into the room and then leaving and then coming back but they were no longer attempting to get at me.

[00:14:39] [SPEAKER_07]: They just continued this listless routine.

[00:14:44] [SPEAKER_07]: It was like they were lost.

[00:14:47] [SPEAKER_07]: Occasionally the shadowy figure would look at me or at least face in the direction of me I couldn't see their eyes.

[00:14:55] [SPEAKER_07]: I started to see something of a kindred spirit in the killer.

[00:15:00] [SPEAKER_07]: We weren't so different. Two lonely, isolated, desperate people wearing a big black cloak.

[00:15:09] [SPEAKER_07]: It's radio. I can wear whatever I want.

[00:15:13] [SPEAKER_13]: Stampy mate, what's that we hash out my lines remotely?

[00:15:16] [SPEAKER_13]: Val and you can carry on but I'm not missing Zumba for this.

[00:15:20] [SPEAKER_13]: What the f***? Come on you little shit.

[00:15:28] [SPEAKER_13]: Let's go, let's dance! You don't scare me! I'll take ya! Come on!

[00:15:34] [SPEAKER_07]: I watched in horror as Greg was punctured like a big meaty balloon.

[00:15:44] [SPEAKER_07]: His testosterone leaking out into the equipment that by now was definitely a write-off.

[00:15:51] [SPEAKER_07]: Greg dropped to the floor, losing at least ten stone in the process.

[00:15:58] [SPEAKER_07]: The killer dropped their knife and ran out of the studio door.

[00:16:02] [SPEAKER_07]: Why hadn't they come for me? I had to find out.

[00:16:06] [SPEAKER_07]: I broke out of my booze and gave chase through the control room

[00:16:10] [SPEAKER_07]: and out into the somehow even more echoey halls.

[00:16:14] [SPEAKER_07]: Seriously they sounded so shit.

[00:16:18] [SPEAKER_07]: I continued giving chase in the direction of the reception.

[00:16:22] [SPEAKER_07]: The receptionist had long left, just as well. Two bodies was enough for one day.

[00:16:28] [SPEAKER_07]: I threw the front doors open ready to run out into the night and...

[00:16:34] [SPEAKER_07]: it wasn't night time. It was the complete opposite, daytime.

[00:16:41] [SPEAKER_07]: You could tell because those birds you only heard in the day were tweeting.

[00:16:45] [SPEAKER_07]: The sun had barely risen. How was that possible?

[00:16:50] [SPEAKER_07]: The killer was nowhere to be seen. They had completely vanished.

[00:16:59] [SPEAKER_07]: I trudged back into the studio, feeling disorientated, discombobulated and disturbed.

[00:17:05] [SPEAKER_07]: I went into the green room and found on the coffee table, folded neatly,

[00:17:11] [SPEAKER_07]: was the black cloak belonging to the killer.

[00:17:14] [SPEAKER_07]: And next to it, not folded at all, was the knife.

[00:17:20] [SPEAKER_07]: But if those were here, then where was...

[00:17:25] [SPEAKER_07]: Then the realisation struck me like a match lit for setting a dog on fire.

[00:17:30] [SPEAKER_07]: Why they hadn't tried to get me? Why I felt our connection?

[00:17:33] [SPEAKER_07]: It was me. I did it.

[00:17:38] [SPEAKER_07]: I killed Terence and Greg. I am a murderer.

[00:17:43] [SPEAKER_07]: A murderer without a voice. A voice that had been stolen and was now lost.

[00:17:49] [SPEAKER_07]: Lost in the lost catacombs?

[00:17:52] [SPEAKER_07]: How ironic, I thought, even though that's not ironic, it's in fact very befitting.

[00:17:57] [SPEAKER_07]: Had I gone mad? Yes, obviously I had.

[00:18:00] [SPEAKER_07]: And now I had to get out of here.

[00:18:04] [SPEAKER_07]: I ran as quickly as my legs could carry me and I have great legs.

[00:18:09] [SPEAKER_07]: All I had to do was get to the car and...

[00:18:12] [SPEAKER_13]: Well?

[00:18:13] [SPEAKER_07]: Greg! You're alive!

[00:18:17] [SPEAKER_13]: Come on, what makes you say that?

[00:18:20] [SPEAKER_07]: But you were... and Terence, back there, where's Terence?

[00:18:25] [SPEAKER_13]: Terence is on his way. He's just got caught in a bit of traffic.

[00:18:27] [SPEAKER_13]: What's got into you, girl?

[00:18:29] [SPEAKER_07]: But you were both dead. I was in the booth and met my... my voice!

[00:18:35] [SPEAKER_07]: My voice is back!

[00:18:38] [SPEAKER_13]: Girl, I don't know what you're on but definitely give me some a bit later.

[00:18:42] [SPEAKER_13]: Come on, your first voice over. Just gonna do me more interest and then I'm ready to rock.

[00:18:47] [SPEAKER_13]: See you in there, yeah?

[00:18:49] [SPEAKER_07]: Erm, sure, yeah, okay.

[00:18:51] [SPEAKER_07]: And just like that, it appears I was back in reality.

[00:18:56] [SPEAKER_07]: This is going to sound horrible but I was quite disappointed really, Greg wasn't dead.

[00:19:02] [SPEAKER_07]: I hadn't killed anyone. Nothing happened.

[00:19:06] [SPEAKER_07]: It was all a tree... mirage of the mind.

[00:19:12] [SPEAKER_07]: I did nothing. I learnt nothing.

[00:19:16] [SPEAKER_07]: I didn't get my recording done.

[00:19:19] [SPEAKER_07]: I didn't even get coffee or a language's wafer-thin wafer which would have been bad for my voice anyway.

[00:19:24] [SPEAKER_07]: I wish there was more of a takeaway from this whole experience.

[00:19:29] [SPEAKER_07]: It's a shame this wasn't being recorded.

[00:19:32] [SPEAKER_07]: Would have made for a great audiobook.

[00:19:35] [SPEAKER_07]: I said it would have made for a great audiobook!

[00:19:39] [SPEAKER_07]: Oh no! Oh god no!

[00:19:54] [SPEAKER_04]: Ah, the magic of radio.

[00:19:58] [SPEAKER_04]: But you never heard Ken Bruce die on air.

[00:20:00] [SPEAKER_04]: Or Fiona Bruce. Or Bruce Forsyth.

[00:20:04] [SPEAKER_04]: Who's dead but he didn't die on air.

[00:20:07] [SPEAKER_03]: Just struggling under a pillow.

[00:20:10] [SPEAKER_03]: That's the magic of radio.

[00:20:12] [SPEAKER_03]: You know AI is taking over.

[00:20:14] [SPEAKER_03]: Hello Chastity, it's time for my bath already!

[00:20:18] [SPEAKER_03]: What's the most common quality in all mammals?

[00:20:21] [SPEAKER_03]: Wearable hide. Do you like my Simon the Maristat?

[00:20:24] [SPEAKER_01]: The voice. It makes us who we are as individuals. I guess we all just want to be heard.

[00:20:29] [SPEAKER_04]: How very true Chastity.

[00:20:32] [SPEAKER_01]: But I'll shut up now and hand you over to our sponsors Langrages.

[00:20:36] [SPEAKER_09]: Ever wish you had the gonads to shout the perfect echo?

[00:20:39] [SPEAKER_09]: Names make substance. Why I've been called many things including but not limited to a jumped-up corporate twat and not the father.

[00:20:49] [SPEAKER_09]: But you know the worst part about screaming abuse at someone?

[00:20:53] [SPEAKER_09]: You're close. It's the effort.

[00:20:55] [SPEAKER_09]: Well that's what AI is for. See AI doesn't just wipe out copywriters, artists and freelance creatives in an increasingly dystopian vision of the future where authorial vision is replaced by solace and above all cheap alternatives.

[00:21:08] [SPEAKER_09]: Did you say Chi?

[00:21:10] [SPEAKER_09]: Try the fucking car!

[00:21:13] [SPEAKER_09]: It's also there for destroying live performance as well.

[00:21:17] [SPEAKER_09]: Introducing Langrages AI Heckelbots.

[00:21:20] [SPEAKER_09]: Don't trust me? Okay you'll pay for that.

[00:21:22] [SPEAKER_09]: I see. I see.

[00:21:25] [SPEAKER_09]: Have a look at this. How about some stand up?

[00:21:29] [SPEAKER_11]: And the thing is change can only begin if we change.

[00:21:34] [SPEAKER_11]: I looked at him and I realised if he can do it anyone can.

[00:21:40] [SPEAKER_11]: He had no home, a life changing brutal illness, no parents but you know what?

[00:21:46] [SPEAKER_02]: You know what you did here?

[00:21:47] [SPEAKER_02]: Your eyes are fat and your penis looks like a pig in blanket outside of Christmas time.

[00:21:55] [SPEAKER_11]: You had hope so never lose yourself and if you've ever doubted who you are remember it's always December somewhere.

[00:22:07] [SPEAKER_02]: Your wife is going to die and your eyebrows are shit.

[00:22:11] [SPEAKER_09]: Where are you?

[00:22:12] [SPEAKER_09]: That's right just put in the name of your chosen comedian, your darkest thoughts and the assumptions you've made about them and we'll turn it into pure gold or at least tin.

[00:22:23] [SPEAKER_02]: Don't even think of leaving your body to science.

[00:22:26] [SPEAKER_02]: Come on in mate.

[00:22:28] [SPEAKER_02]: Your bone structure is lackluster.

[00:22:29] [SPEAKER_02]: Fight me.

[00:22:32] [SPEAKER_02]: Ow unnecessary I prefer your system.

[00:22:35] [SPEAKER_09]: It's your time and their fault.

[00:22:37] [SPEAKER_09]: Make those stage hogs pay with new Langrages AI Heckelbots because he who shouts loudest, shouts loudest.

[00:22:46] [SPEAKER_09]: Nice.

[00:22:47] [SPEAKER_08]: I don't pay you to talk.

[00:22:50] [SPEAKER_08]: Look we're on the fucking Autobahn.

[00:22:53] [SPEAKER_08]: Drive the fucking car.

[00:22:57] [SPEAKER_13]: When nothing else can fill the void, choose land.

[00:23:01] [SPEAKER_02]: Call those ankles you Aryan piss witch.

[00:23:07] [SPEAKER_02]: Filed them right down.

[00:23:09] [SPEAKER_04]: Sper not the rod.

[00:23:11] [SPEAKER_04]: Oh god Ramon.

[00:23:13] [SPEAKER_04]: Jastity I'm in the bath.

[00:23:15] [SPEAKER_04]: I'm just saying goodbye to my dear Mutantes.

[00:23:18] [SPEAKER_04]: Oh your double jointed.

[00:23:21] [SPEAKER_04]: Oh.

[00:23:23] [SPEAKER_04]: I'm out of here like an eight year old walking a dual carriageway.

[00:23:28] [SPEAKER_04]: But before I depart, heed my advice.

[00:23:35] [SPEAKER_04]: No le hablaza tu lavadora porque, frankly es estranio.

[00:23:44] [SPEAKER_04]: Oh.

[00:23:49] [SPEAKER_10]: Fuck.

[00:23:54] [SPEAKER_03]: Coming soon from House of Fear Pictures.

[00:24:04] [SPEAKER_09]: In the annals of erotic nightmares there's nothing more frightening than slough.

[00:24:10] [SPEAKER_12]: Engs beyond your head, maggots.

[00:24:13] [SPEAKER_08]: We came to slough.

[00:24:15] [SPEAKER_10]: Fuck!

[00:24:17] [SPEAKER_08]: Slough.

[00:24:19] [SPEAKER_01]: I don't see any fossils.

[00:24:21] [SPEAKER_01]: Fossilize this girl.

[00:24:24] [SPEAKER_01]: Aryan wait.

[00:24:25] [SPEAKER_01]: Is that love off?

[00:24:28] [SPEAKER_03]: No.

[00:24:29] [SPEAKER_03]: No.

[00:24:31] [SPEAKER_00]: It is the three faces of Scrotus.

[00:24:36] [SPEAKER_00]: The prophecy is true.

[00:24:40] [SPEAKER_10]: This is a library.

[00:24:43] [SPEAKER_10]: The blind.

[00:24:44] [SPEAKER_03]: Screw you old man.

[00:24:46] [SPEAKER_03]: No no screw me.

[00:24:48] [SPEAKER_09]: I'll screw you.

[00:24:51] [SPEAKER_09]: M for murder.

[00:24:52] [SPEAKER_05]: Yeah!

[00:24:57] [SPEAKER_09]: M for mutation.

[00:24:59] [SPEAKER_10]: He is risen.

[00:25:01] [SPEAKER_10]: It's a Scrotum.

[00:25:03] [SPEAKER_10]: It's a goddamn Scrotum!

[00:25:08] [SPEAKER_03]: Oh yeah, just like that.

[00:25:11] [SPEAKER_08]: Are you sure about these photos?

[00:25:14] [SPEAKER_08]: Yeah no put your hands down or I can't get your full effect.

[00:25:19] [SPEAKER_08]: M for mayhem.

[00:25:21] [SPEAKER_08]: Come bombs fall on slough.

[00:25:24] [SPEAKER_08]: I'll show you come bombs.

[00:25:27] [SPEAKER_09]: M for on the M for.

[00:25:31] [SPEAKER_05]: Slough!

[00:25:33] [SPEAKER_09]: It's not quite ready and it's nowhere near Windsor.

[00:25:37] [SPEAKER_08]: What is it?

[00:25:38] [SPEAKER_09]: There's a new word for terror.

[00:25:41] [SPEAKER_08]: Oh god it's...

[00:25:47] [SPEAKER_08]: Slough.

[00:25:50] [SPEAKER_08]: The only exit is death.

[00:25:57] [SPEAKER_09]: Slough.

[00:25:57] [SPEAKER_09]: Once you're in you'll never get out.

[00:26:02] [SPEAKER_09]: Slough.

[00:26:10] [SPEAKER_12]: You have been listening to Ramon Fier's Terror Tapes.

[00:26:15] [SPEAKER_12]: Hosted by Ramon Fier.

[00:26:19] [SPEAKER_12]: Obituaries for the following cast members.

[00:26:23] [SPEAKER_12]: Susan Harrison.

[00:26:25] [SPEAKER_12]: Rob Tofield.

[00:26:27] [SPEAKER_12]: John Last.

[00:26:29] [SPEAKER_12]: Additional voices by Amelia Armand.

[00:26:32] [SPEAKER_12]: Russell Howard.

[00:26:35] [SPEAKER_12]: Alex Lynch.

[00:26:37] [SPEAKER_12]: Odin Orn Hillmarsson.

[00:26:39] [SPEAKER_12]: And Sam Thomas.

[00:26:43] [SPEAKER_12]: All eulogies created and scribed by Alex Lynch and Sam Thomas.

[00:26:49] [SPEAKER_12]: Music and organ grinding by Odin Orn Hillmarsson.

[00:26:55] [SPEAKER_12]: Production and Post Mortem Assembly.

[00:26:57] [SPEAKER_12]: Handled with care by Alex Lynch

[00:27:00] [SPEAKER_12]: and Odin Orn Hillmarsson.

[00:27:03] [SPEAKER_12]: With Odin Orn Hillmarsson conducting the final service.

[00:27:07] [SPEAKER_12]: And the funeral director.

[00:27:10] [SPEAKER_12]: Alexandra Morris.

[00:27:12] [SPEAKER_12]: This has been a House of Fear production.

[00:27:16] [SPEAKER_12]: For more go to RamonFier.com.

[00:27:20] [SPEAKER_12]: Like, rate and subscribe.

[00:27:24] [SPEAKER_12]: If you dare.

[00:27:37] [SPEAKER_06]: This show is part of Podomedy.

[00:27:40] [SPEAKER_06]: The podcast comedy network.

[00:27:42] [SPEAKER_06]: We're the best kept secret on A-Cast.

[00:27:46] [SPEAKER_06]: Why not laugh at what else we've got?

[00:27:49] [SPEAKER_06]: Check out podomedy.com now.