A little while ago, Metro produced an article with the headline ‘I created Tots TV, Teletubbies and Rosie and Jim – I fear they’re being twisted’. This is our response to a very insightful interview with Anne Wood by Josie Copson.
We also mused on the subject of nostalgia and differences between various eras of children's TV.
Though this is a bonus episode, we wanted to share our initial thoughts on the article to the main feed. This is because we are very grateful for those of you who alerted us to it, and to the evident generosity and graciousness Anne Wood has shown towards those of us making jokes off the back of her brilliant work on social media.
You can find the full episode by subscribing to our Patreon.
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[00:00:08] In this bonus set we're going to be discussing a metro article that we were alerted to that
[00:00:20] was published in the last few days written by Josie Copsson where she interviews Anne
[00:00:24] Wood who founded Ragdoll Productions. Let me read you the title.
[00:00:29] I created Thots TV, Teletubbies and Rosie and Jim. I fear they're being twisted. This
[00:00:34] is in quotation marks but never actually quoted in the article so we know like many
[00:00:40] articles this isn't really about Thots TV being twisted on social media. However
[00:00:46] seeing as though we are somewhat responsible for this article being written
[00:00:49] I think we should talk about it. If you weren't aware at the end of last year
[00:00:53] we clipped some relatable bits from Thots TV for Instagram and TikTok and they
[00:00:57] ended up going viral. It's a good way for us to promote the content we
[00:01:00] produce by showing the stuff we actually discussed in the podcast. However at
[00:01:04] the time we didn't have that many followers, at least not compared to
[00:01:07] what we have now and we didn't imagine that it was going to explode the way
[00:01:10] that it did. We have a lot to thank Thots TV for, the name of our podcast for one
[00:01:14] thing which I imagine Anne Wood probably wouldn't approve of. We certainly
[00:01:18] wouldn't be where we are now making this episode if she'd never found a
[00:01:21] Ragdoll and produced shows like Thots TV. I'd like to point out that if you
[00:01:25] read this article it references a couple of reels that we weren't
[00:01:28] responsible for. We do try to be sensitive to these sorts of issues
[00:01:31] knowing that people may feel like they can be twisted and that's why we
[00:01:34] try to be careful with it. We aren't however responsible for the actions
[00:01:38] of other accounts. Obviously it's my instinct to get a bit defensive of
[00:01:41] something that I see is harmless fun but you read further into the article
[00:01:45] and discover that, of course, it's not really about that. So what I want us
[00:01:49] to discuss today is this. Why is nostalgia so important to us today
[00:01:52] and why don't we think that kids TV is flourishing the way it used to?
[00:01:58] Do you think we'd be called like Telly Slurps or something?
[00:02:01] Telly Slurps is also very funny. That's a great, it's a bit like
[00:02:04] Egg Slurt. So what do you think guys think of the article for a
[00:02:08] start? Well, I the thing is that we collectively at different times
[00:02:14] have basically said everything that what's her name? Anne Wood.
[00:02:19] OBE or CBE. Dame Anne Wood herself has said in the article like we all agree
[00:02:27] and yeah, there's stuff that they directly talk about like the reels
[00:02:30] and TikToks and stuff that they directly talk about are not ours.
[00:02:34] However, the ones they actually reference are un-dosed.
[00:02:36] Specifically referenced specifically called out. We did not make
[00:02:40] we did not make the ones that are specifically called out, but they
[00:02:43] would never have been made if it wasn't for us. That's why we're in this
[00:02:47] like quite unique position in we started it right? This article
[00:02:54] probably wouldn't have been written had we not started it.
[00:02:57] Also because like, like we know ragdoll entertainment productions
[00:03:04] ragdoll productions are aware of us. We know that.
[00:03:09] We do also know that they're a bit iffy about ironic kind of content.
[00:03:13] Yeah. Well, what we know is that they're not keen on people that have
[00:03:18] worked with them or are involved with them to get involved in other
[00:03:21] things that are more adult, which I think is fair enough to be honest
[00:03:26] because you know, you could end up with quite a difficult legal
[00:03:30] situation possibly. Yeah. But what you said about us starting it, Meg,
[00:03:37] there have always been like viral videos of Tots TV. They've just
[00:03:43] not gone. They've not sort of peaked peaked the way the way that
[00:03:48] ours did. Like we definitely started a trend, but I don't think
[00:03:52] we're the first people to take it out of context. I don't
[00:03:54] think that's not what I'm trying to say, but if we had no, I
[00:03:58] just want to clarify. We had two or three in the three
[00:04:00] millions, right? It's the account that is being directly
[00:04:05] referenced. We are the onto genesis of that account only exists
[00:04:09] because our reals did so well. I think we can fairly safely
[00:04:16] assume that. Yeah, it's a bit grandiose of us, but it's not
[00:04:20] one account. That one account. It's not else. It's not
[00:04:24] grandiose if it's true, right? Like I'm not talking us up. What
[00:04:30] I'm saying is it's an exceptional position to be in to be sat
[00:04:34] here. Almost almost guaranteed that we're you know, that meme
[00:04:41] that's like the the domino rally getting bigger and bigger
[00:04:46] and it's one time event that leads to one massive event. It's
[00:04:50] weird being at the bottom of that chain. And now we have an
[00:04:53] article that we are inadvertently responsible for and I think
[00:04:59] it's almost fair to say that sub sub tweeting us almost. Yeah.
[00:05:03] Yeah. However, we aren't we at least are not mentioned. We're
[00:05:11] not we're not contacted. So I think I think it's fair to say
[00:05:16] that someone has a I don't know it's hard to know
[00:05:18] because the opinions that are given in articles are taken out
[00:05:22] of context anyway. And what herself has not written this
[00:05:27] yeah, article nor have we been directly contacted by anybody
[00:05:34] you know, like editor, journalist or not like we've
[00:05:39] not been contacted by ragdoll because everything that we do is
[00:05:43] fair use right? We are allowed to do it. But it is
[00:05:48] worth saying that we are quite careful with what we do.
[00:05:51] We definitely try to be I mean, especially now that I mean, you
[00:05:55] probably noticed that we have ads that are put on by a cast. So
[00:06:01] now that this is monetized, we are we're going to have to
[00:06:05] start being even more careful about what we say. So what is
[00:06:09] what the article seems like to me is they interviewed and would
[00:06:13] because Tots TV has become a talking point again. And they
[00:06:19] chose the which often happens with articles, they chose the
[00:06:25] most headline grabbing. They chose the most attention grabbing
[00:06:30] sentence that she said, and that happened to be I'm scared
[00:06:34] that Tots TV is being twisted. And so they put that right at
[00:06:38] the top. But she actually says lots of other things in
[00:06:41] that article that I think are really insightful. And we've said
[00:06:45] we've said a few of them before I agree with her on a lot of
[00:06:47] these things, I think because she also followed that statement
[00:06:51] up with creators cannot control what happens to their work.
[00:06:56] Yeah, yeah.
[00:06:58] Which is why I mean, she doesn't you know, I haven't
[00:07:03] taken this article to mean it's it's not a cease and desist
[00:07:07] and I don't want it to sound like what we're responding to
[00:07:10] here is a cease and desist. Oh, it's not even an apology.
[00:07:15] We haven't taken it like that. Obviously, my instinct is to go
[00:07:19] defend the content, defend the content. But you read it and
[00:07:22] there is nothing to defend. Do you know what I mean? It's
[00:07:24] like it's not an attack at all. However, the
[00:07:28] And also we're responding because a lot of people sent us
[00:07:31] this article. A lot of people just send us this article. But
[00:07:34] I do think that there's a fine line right because you have a lot
[00:07:40] of people and this is being said especially recently, I've seen
[00:07:44] it said on a lot of social media about like, I'm talking
[00:07:48] about when Miriam Margulis told Harry Potter adults to grow up.
[00:07:51] Yes. And there was a fine line right because you see adults
[00:07:57] who really like things like Harry Potter and Disney and all
[00:08:01] that kind of thing which some people are really, really
[00:08:03] obsessed with it. And that's their prerogative, do what you
[00:08:05] like, spend your money on whatever you want to spend your
[00:08:09] money on. As long as you're not hurting anyone, their money
[00:08:13] keeps these franchises alive. And on the one hand, I think
[00:08:17] it's you hear the phrase contempt for the fans a lot in
[00:08:22] like football and sport. But like without them, who's
[00:08:27] who's keeping it going? You know, adults are the people
[00:08:29] who have the money to spend on these things. And I think that
[00:08:35] people who grew up watching this content like people now who
[00:08:39] are engaging with us on social media are the original,
[00:08:45] original target audience for Top TV is people who enjoyed it
[00:08:49] then, they're enjoying it now. Yeah. And I don't see anything
[00:08:56] wrong with people within reason enjoying it as an adult. And
[00:09:01] like, this is why I wanted to discuss why obviously, this is
[00:09:09] something that gets said a lot, you know, our generation being
[00:09:12] really nostalgic. And as we know, all generations are
[00:09:16] really nostalgic, but there's nothing wrong with it.
[00:09:19] Yeah, it's just how it's how we are. It's not a
[00:09:23] generation specific thing. People like to remember things.
[00:09:26] Exactly. That's just human nature. Yeah, I mean, she said
[00:09:33] something she said in the article was she isn't that
[00:09:37] interested in the people who are looking back and enjoying
[00:09:42] things in a enjoying things retrospectively, the thing
[00:09:46] that she is completely focused on is carrying on making
[00:09:50] things now for children now, like something that she
[00:09:52] ended the article with was people say, when are you going to
[00:09:56] go into adult TV? And she's like, people see that as a
[00:10:00] promotion. It's not that all I want to do is make kids TV.
[00:10:03] It's not a lesser thing. Yeah, no, I completely agree. I do
[00:10:08] think that sort of going back like we're we're careful with
[00:10:13] some of the stuff we put like because I do think that
[00:10:16] when it's like reading into it, you can't read into it
[00:10:20] because it's plainly right there in front of you. Some of the
[00:10:23] like big cook little cook stuff. That's a little different, I
[00:10:27] think, but Todd's TV, we don't go in that direction. If that
[00:10:31] makes sense. No, no, we don't want to. Whereas like, I think
[00:10:36] like Dick and Dom stuff, which we I mean, we talked about
[00:10:39] at like, I mean, it's asking you to it's as an adult,
[00:10:42] you're going dirty nurse, right? But then like,
[00:10:45] there's nothing like that with Todd's TV. So we haven't
[00:10:47] done that with Todd's TV. And the difference really is
[00:10:50] that an woods audience is kids. And our audience is adults. And
[00:10:57] even though it is centered around kids media, it's adults. So the
[00:11:03] the perspective is always going to be different. Like we have
[00:11:07] posted in the past clips from when we recorded the episode
[00:11:11] about Todd's TV. And some people really hated the slight
[00:11:16] regret. I don't regret it. No, I don't like it was just it was
[00:11:21] just an unexpected response because I think the perspective
[00:11:25] we're taking when again, I can't remember we've recorded us
[00:11:29] talking about this, but I definitely have this conversation
[00:11:31] with both of you where it's like, when we're talking about,
[00:11:34] hey, do they give couple vibes? We're not we're not saying,
[00:11:38] Oh, those two have sex. Although I don't think people
[00:11:43] when people really like something or they love something and
[00:11:47] it holds this special place for them, they get
[00:11:51] precious. They get precious about what gets said about it. And
[00:11:54] I think that that's completely normal. What if you don't
[00:11:58] like what we're saying? That's absolutely fine. But I think
[00:12:01] our intentions were completely misinterpreted on the other
[00:12:06] end of the spectrum. So we said do they give couple vibes
[00:12:08] and some people said basically accused us of being
[00:12:11] pedophiles for that. Yeah. And on the other end of the
[00:12:13] spectrum, we post real sometimes and people post comments like
[00:12:17] these two were fucking. And that is I mean, I don't mind
[00:12:23] people commenting that doesn't bother me. No, but that's not
[00:12:26] what we're suggesting. So I'm basically what I'm saying is
[00:12:29] our listeners are a diverse group of people that have
[00:12:33] diverse opinions, you know, like they're not a monolith,
[00:12:36] like we get all sorts of comments, you know?

![Anne Wood article response [BONUS EP TEASER]](https://images.beamly.com/fetch/https%3A%2F%2Fassets.pippa.io%2Fshows%2F65b92c4430a1270016eb78ba%2F1756680897160-0f203c61-cb2a-4a91-972c-bc18fd36ab4c.jpeg?w=365)


